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Intervenciones con música para la ansiedad preoperatoria

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Referencias

References to studies included in this review

Allen 2001 {published data only}

Allen K, Golden LH, Izzo JL, Ching MI,  Forrest A,  Niles R,  et al. Normalization of hypertensive responses during ambulatory surgical stress by perioperative music. Psychosomatic Medicine 2001;63(3):487‐92. [PUBMED: 1138227]

Arslan 2008 {published data only}

Arslan S, Özer N, Özyurt F. Effect of music on preoperative anxiety in men undergoing urogenital surgery. Australian Journal of Advanced Nursing 2008;26(2):46‐54. [dn: 198783205186632]

Augustin 1996 {published data only}

Augustin P, Hains A. Effect of music on ambulatory surgery patients' preoperative anxiety. Association of Perioperative Registered Nurses Journal 1996;63(4):750. [PUBMED: 8660020]

Bringman 2009 {published data only}

Bringman H, Giesecke K, Thorne A, Bringman S. Relaxing music as pre‐medication before surgery: A randomised controlled trial. Acta Anaesthesiologica Scandinavica 2009;53(6):759‐64. [PUBMED: 19388893]

Cassidy 2003 {unpublished data only}

Cassidy L. The effect of self‐selected music on elective surgical patients’ preoperative anxiety. Master’s thesis. Southern Illinois University at Edwardsville2003.

Chang 1996 {published data only}

Chang Y, Hwang SL, Lee MB, Shiu ST, Liao WS. Effects of music therapy on preoperative stress in patients facing open heart surgery. Chinese Psychiatry 1996;10:28‐37.

Cooke 2005 {published data only}

Cooke M, Chaboyer W, Schluter P, Hiratos M. The effect of music on preoperative anxiety in day surgery. Journal of Advanced Nursing 2005;52(1):47‐55. [PUBMED: 16149980]

DeMarco 2012 {published data only}

DeMarco J, Alexander JL, Nehrenz G, Gallagher L. The benefit of music for the reduction of stress and anxiety in patients undergoing elective cosmetic surgery. Music and Medicine 2012;4(1):44‐8. [DOI: 10.1177/1943862111424416]

Evans 1994 {published data only}

Evans MM, Rubio PA. Music: a diversionary therapy. Today's OR‐Nurse 1994;16(4):17‐22. [PUBMED: 8066587]

Gaberson 1995 {published data only}

Gaberson K. The effect of humorous and musical distraction of preoperative anxiety. Association of Perioperative Registered Nurses Journal 1995;62(5):784. [PUBMED: 8534077]

Ganidagli 2005 {published data only}

Ganidagli S, Cengiz M, Yanik M, Becerik C,  Unal B. The effect of music on preoperative sedation and the bispectral index. Anesthesia and Analgesia 2005;101(1):103‐6. [MEDLINE: 15976214]

Guo 2005 {published data only}

Guo J, Wang J. Study on individual music intervention to reduce preoperative anxiety on patients undergoing laparoscopic surgery. Chinese Journal of Nursing 2005;40(7):485‐8.

Hook 2008 {published data only}

Hook L, Sonwathana P, Petpichetchian W. Music therapy with female surgical patients: Effect on anxiety and pain. Thai Journal of Nursing Research 2008;12(4):259‐71.

Kushnir 2012 {published data only}

Kushnir J, Friedman A, Ehrenfeld M, Kushnir T. Coping with preoperative anxiety in cesarean section: Physiological, cognitive and emotional effects of listening to favorite music. Birth 2012;39(2):121‐7.

Lee 2004 {published data only}

Lee D, Henderson A, Shum D. The effect of music on preprocedural anxiety in Hong Kong Chinese day patients. Journal of Cinical Nursing 2004;13(3):297‐303. [PUBMED: 15009332]

Lee 2011 {published data only}

Lee KC, Chao YH, Yiin JJ, Chiang PY, Chao YF. Effectiveness of different music‐playing devices for reducing preoperative anxiety: A clinical control study. International Journal of Nursing Studies 2011;48(10):1180‐7. [PUBMED: 21565344]

Lee 2012 {published data only}

Lee KC, Chao YH, Yiin JJ, Hsieh HY, Dai WJ, Chao YF. Evidence that music listening reduces preoperative patients' anxiety. Biological Research for Nursing 2012;14(1):78‐84. [PUBMED: 21278165]

Li 2004 {published data only}

Li S. Applying Chinese classical music to treat preoperative anxiety of patients with gastric cancer. Chinese Nursing Research 2004;18(3B):471‐2.

Lin 2011 {published data only}

Lin PC, Lin ML, Huang LC, Hsu HC, Lin CC. Music therapy for patients receiving spine surgery. Journal of Clinical Nursing 2011;20:960‐8. [PUBMED: 21320217]

Miluk‐Kolasa 1996 {published data only}

Miluk‐Kolasa B, Matejek M, Stupnicki R. The effects of music listening on changes in selected physiological parameters in adult pre‐surgical patients. Journal of Music Therapy 1996;33:208‐18. [1997‐07495‐002]

Miluk‐Kolasa 2002 {published data only}

Miluk‐Kolasa B, Klodecka‐Rozalska, Stupnicki R. The effect of music listening on perioperative anxiety levels in adult surgical patients. Polish Psychological Bulletin 2002;33:55‐60. [2002‐11422‐007]

Ni 2011 {published data only}

Ni CH, Tsai WH, Lee, LM, Kao CC, Chen YC. Minimising preoperative anxiety with music for day surgery patients ‐ a randomised clinical trial. Journal of Clinical Nursing 2011;21:620‐5. [DOI: 10.1111/j.1365‐2702.2010.03466.x; PUBMED: 21332853]

Szeto 1999 {published data only}

Szeto C, Yung P. Introducing a music programme to reduce preoperative anxiety. British Journal of Theatre Nursing 1999;9(10):455. [PUBMED: 10646381]

Winter 1994 {published data only}

Winter MJ, Paskin S, Baker T. Music reduces stress and anxiety of patients in the surgical holding area. Journal of Post Anesthesia Nursing 1994;9(6):340‐43. [PUBMED: 7707258]

Yung 2002 {published data only}

Yung P, Chui‐Kam S, French P, Chan T. A controlled trial of music and pre‐operative anxiety in Chinese men undergoing transurethral resection of the prostate. Journal of Advanced Nursing 2002;39(4):352‐9. [PUBMED: 12139647]

Yung 2003 {published data only}

Yung PMB, Kam SC, Lau BWK, Chan TMF. The effect of music in managing preoperative stress for Chinese surgical patients in the operating room holding area: a controlled trial. International Journal of Stress Management 2003;10:64‐74. [2003‐06067‐007]

References to studies excluded from this review

Aldrige 1993 {published data only}

Aldridge K. The use of music to relieve pre‐operational anxiety in children attending day surgery. The Australian Journal of Music Therapy 1993;1:19‐35.

Aragon 2002 {published data only}

Aragon D, Ferris C, Byers JF. The effects of harp music in vascular and thoracic surgical patients. Alternative Therapies in Health and Medicine 2002;8(5):52‐60. [PUBMED: 1223380]

Arvelo Correa 1985 {published data only}

Arvelo Correa EJ, Daniel de Arvelo HE. Music hypnosis in children [Hipnosis musical em niños]. Revista de la Sociedad Médico‐Quirúrgico del Hospital de Emergencia 1985;20(2):71‐4.

Bansal 2010 {published data only}

Bansal P, Kharod U, Patel P, Sanwatsarkar S, Patel H, Kamat H. The effect of music therapy on sedative requirements and haemodynamic parameters in patients under spinal anaesthesia: A prospective study. Journal of Clinical and Diagnostic Research 2002;4(4):2782‐9.

Beach 1991 {unpublished data only}

Beach E, Cross W. The effect of music on preoperative anxiety in children. Master's thesis. Barry University1991.

Beddows 1997 {published data only}

Beddows J. Alleviating pre‐operative anxiety in patients: A study. Nursing Standard 1997;11:35‐8. [PUBMED: 9205339]

Behl 1972 {unpublished data only}

Behl VR. Effects of sedative music on pre‐operative patients as measured by changes in their blood pressure, heart rate, respirations and maacl scores. Master's thesis. University of Washington1972.

Brunges 2003 {published data only}

Brunges M, Avigne G. Clinical innovations. Music therapy for reducing surgical anxiety. Association of Perioperative Registered Nurses Journal 2003;78(5):816‐8. [PUBMED: 14621954]

Chetta 1981 {published data only}

Chetta HD. The effect of music and desensitization on preoperative anxiety in children. Journal of Music therapy 1981;18:74‐87. [PUBMED: 10252814]

Chu 2004 {published data only}

Chu JJ. Interactive music therapy for preoperative anxiety. The American Journal of Nursing 2004;104(9):72B. [PUBMED: 15105197]

Cirina 1994 {published data only}

Cirina C. Effects of sedative music on patient preoperative anxiety. Today's OR Nurse 1994;16(3):15‐8.

Cowan 1991 {published data only}

Cowan DS. Music therapy in the surgical arena. Music Therapy Perspectives 1991;9:42‐5. [PUBMED: 8009576]

Curtis 1987 {published data only}

Curtis LD. Music: a method for anxiety reduction in the preoperative patient. Unpublished master's thesis. State University of New York at Buffalo1987.

Dabu‐Bondoc 2010 {published data only}

Dabu‐Bondoc S, Vadivelu N, Benson J, Perret D, Kain ZN. Hemispheric synchronized sounds and perioperative analgesic requirements. Anesthesia and Analgesia 2010;110(1):208‐10. [PUBMED: 19861358]

Daub 1988 {published data only}

Daub D, Kirschner‐Hermanns R. A study comparing music, Thalamonal and no premedication [Verminderung der preoperative angst. Vergleichende studie zwischen music. Thalamonal und ohne pramedikation]. Der Anaesthesist 37;9:594‐7. [PUBMED: 3056086]

Erickson 1989 {unpublished data only}

Erickson WR. The anxiolytic effects of music in the preoperative environment. Unpublished master's thesis, University of Texas Health Science Center at San Antonio1989.

Gillen 2008 {published data only}

Gillen E, Biley F, Allen D. Effects of music listening on adult patients’ pre‐procedural state anxiety in hospital. International Journal of Evidence‐Based Healthcare 2008;6(1):24‐49. [2008‐02471‐003]

Haun 2001 {published data only}

Haun M, Mainous R, Looney S. Effect of music on anxiety of women awaiting breast biopsy. Behavioral Medicine 2001;27(3):127‐32. [2002‐13008‐004]

Jarred 2003 {published data only}

Jarred J. The effect of live music on anxiety levels of persons waiting in a surgical waiting room as measured by self‐report. Unpublished master's thesis, Florida State University2003.

Johnson 2012 {published data only}

Johnson B, Raymond S, Goss J. Perioperative music or headsets to decrease anxiety. Journal of Perianesthesia Nursing 2012;27(3):146‐54   . [PUBMED: 22612884]

Kaempf 1989 {published data only}

Kaempf G, Amodei M. The effect of music on anxiety: a research study. Association of Perioperative Registered Nurses Journal 1989;50(1):112. [PUBMED: 2751292]

Kain 2006 {published data only}

Kain ZN, Caldwell‐Andrews AA, Krivutza DM, Weinberg ME, Gaal D, Wabg SM, et al. Interactive music therapy as a treatment for preoperative anxiety in children: A randomized controlled trial. Anesthesia and Analgesia 2006;98:1260‐6. [PUBMED: 15105197]

Kamin 1982 {published data only}

Kamin A, Kamin H, Spintge R, Droh R. Endocrine effect of anxiolytic music and psychological counseling before surgery. In: Droh R, Spintge R editor(s). Angst, schmerz, music in der anasthesie. Basel: Editiones Roche, 1982:163‐6.

Kamin 1987 {published data only}

Kamin A, Kamin H, Spintge R, Droh R. Musik als Beitrag zur Reduzierung pra‐ und postoperativer Angste in der Anasthesie. In: Spintge R, Droh R editor(s). Musik in der Medizin. Berlin: Springer‐Verlag, 1987.

Koch 1998 {published data only}

Koch ME, Kain ZN, Ayoub C, Rosenbaum SH. The sedative and analgesic sparing effect of music. Anesthesiology 1998;89:300‐6. [PUBMED: 9710387]

Leardi 2007 {published data only}

Leardi S, Pietroletti R, Angeloni G, Necozione S, Ranalletta G, Del Gusto B. Randomized clinical trial examining the effect of music therapy in stress response to day surgery. British Journal of Surgery 2007;94(8):943‐7. [PUBMED: 17636513]

Lee 2002 {unpublished data only}

Lee J. The effect of music therapy on levels of preoperative anxiety and ease of anesthesia induction in children undergoing surgery. Master's thesis. Temple University2002.

Madson 2010 {published data only}

Madson AT, Silverman MJ. The effect of music therapy on relaxation, anxiety, pain perception, and nausea in adult solid organ transplant patients. Journal of Music Therapy 2010;47(3):220‐32. [PUBMED: 21275333]

Miluk‐Kolasa 1994 {published data only}

Miluk‐Kolasa B, Obminskil A, Stupnicki R, Golec L. Effects of music treatment on salivary cortisol in patients exposed to pre‐surgical stress. Experimental and Clinical Endocrinology 1994;102:118‐20. [PUBMED: 8056055]

Mok 2003 {published data only}

Mok E, Wong KY. Effects of music on patient anxiety. AORN Journal 2003;52:396‐410. [PUBMED: 12619853]

Moss 1987 {published data only}

Moss V. The effect of music on anxiety in the surgical patient. Perioperative Nursing Quarterly 1987;3(1):9‐16. [PUBMED: 3645659]

Murphree 1988 {unpublished data only}

Murphree JL. The effect of music therapy on anxiety in preoperative patients. Master’s thesis. Memphis State University1988.

Nilsson 2009 {published data only}

Nilsson U. The effect of music intervention in stress response to cardiac surgery in a randomized clinical trial. Heart and Lung: Journal of Acute and Critical Care 2009;38(3):201‐20. [PUBMED: 19486788]

Nix 1963 {published data only}

Nix PJ. Effects of music therapy and personal interaction on the preoperative patient. Unpublished master’s thesis, Loma Linda University1963.

Oyama 1987 {published data only}

Oyama T, Sato Y, Kudo T, Spintge R, Droh R. Effect of anxiolytic music on endocrine function in surgical patients. In: Spintge R. Droh R editor(s). Musik in der medizine/Music in Medicine. Berlin: Springer‐Verlag, 1987:169‐174.

Padmanabhan 2005 {published data only}

Padmanabhan R,  Hildreth AJ,  Laws D. A prospective, randomised, controlled study examining binaural beat audio and pre‐operative anxiety in patients undergoing general anaesthesia for day case surgery. Anaesthesia 2005;60(9):874‐7. [PUBMED: 16115248]

Paradise 2001 {published data only}

Paradise CJ. An exploratory study of the effects of music as a preoperative nonpharmacologic anxiolytic in the surgical patient. Unpublished master's thesis, Mount Mary College Yankton, SD.

Park 2000 {published data only}

Park SH, Park KS. The effects of music therapy on the preoperative anxiety of surgical patients. Journal of Korean Academy of Adult Nursing 2000;12(4):654‐5.

Peristein 1994 {published data only}

Peristein RM. The effect of listening to music on preoperative anxiety in the patient admitted for same day surgery with general anesthesia. Unpublished master’s thesis, Albany Medical Center1994.

Phillips 1997 {published data only}

Phillips JR. Effect of preoperative music on anxiety in adult pre‐surgical patients. Master's thesis. University of Kansas1997.

Robb 1995 {published data only}

Robb SO, Nichols RJ, Rutan RL, Bishop BL. The effects of music assisted relaxation on preoperative anxiety. Journal of Music Therapy 1995;32:2‐21. [1995‐38255‐001]

Sanderson 1986 {published data only}

Sanderson SK. The effect of music on reducing preoperative anxiety and postoperative pain and anxiety in the recovery room. Unpublished master’s thesis, Florida Sate University.

Scheve 2002 {unpublished data only}

Scheve AM. The effect of music therapy intervention on pre‐operative anxiety of pediatric patients as measured by self‐report. Master’s thesis. Florida State University2002.

Spintge 1982 {published data only}

Spintge R, Droh R. The pre‐operative condition of 1910 patients exposed to anxiolytic music and Rohypnol (flurazepam) before receiving an epidural anesthetic. In: Droh R, Spintge R editor(s). Angst, schmerz, music in der anasthesie. Basel: Editiones Roche, 1982:77‐88.

Staples 1993 {unpublished data only}

Staples SE. The effect of music listening on blood pressure, pulse rate, respiration rate, and anxiety state of patients in the preoperative room. Master's thesis. Florida State University1993.

Tusek 1999 {published data only}

Tusek DL, Cwynar R,  Cosgrove DM. Effect of guided imagery on length of stay, pain and anxiety in cardiac surgery patients. Journal of Cardiovascular Management 1999;10(2):22‐8. [PUBMED: 10557909]

Updike 1987 {published data only}

Updike P, Charles D. Music Rx: Physiological and emotional responses to taped music programs of preoperative patients awaiting plastic surgery. Annals of Plastic Surgery 1987;19:29‐33. [PUBMED: 3307595]

Walters 1996 {published data only}

Walters CL. The psychological and physiological effects of vibrotactile stimulation, via a Somatron, on patients awaiting scheduled gynecological surgery. Journal of Music Therapy 1996;33(4):261‐87. [1997‐03112‐003]

Wang 2002 {published data only}

Wang S, Kulkarni L, Doley J, Kain Z. Music and preoperative anxiety: A randomized controlled study. Ambulatory Anesthesia 2002;94:1489‐94. [PUBMED: 12032013]

Zhan 2008 {published data only}

Zhan H, Yang N, He X. Influence of branchiplex anesthesia on analgesia effect by adopting music therapy. Chinese Nursing Research 2008;22(1B):108‐9.

References to studies awaiting assessment

Berbel 2007 {published data only}

Berbel P, Moix J,  Quintana S. Music versus diazepam to reduce preoperative anxiety: a randomized controlled clinical trial [Estudio comparativo de la eficacia de la musica frente al diazepam para disminuir la ansiedad prequiruirgica: un ensayo clinico controlado y aleatorizado]. Revista Espanola de Anestesiologia y Reanimacion 2007;54(6):355‐8.

Dwita 2002 {published data only}

Dwita A, Natalia J. Effect of music on anxiety in patients undergoing cataract surgery [Pengaruh Musik Terhadap Kecemasan Penderita Katark Menjelang Operasi ]. ANIMA Indonesian Psychological Journal 2002;17(2):179‐95.

Agarwal 2005

Agarwal A, Ranjan R, Dhiraaj A, Lakra A, Kumar M, Singh U. Acupressure for prevention of pre‐operative anxiety:A prospective, randomised, placebo controlled study. Anaesthesia 2005;60:978–81.

Beccaloni 2011

Beccaloni AM. The medicine of music: A systematic approach for adoption into perianesthesia practice. Journal of Perianesthesia Nursing 2011;26(5):323‐30.

Bolwerk 1990

Bolwerk C. Effects of relaxing music on state anxiety in myocardial infarction patients. Critical Nurse Quarterly 1990;13:63‐72. [MEDLINE: 2383784]

Bradt 2009

Bradt J, Dileo C. Music for stress and anxiety reduction in coronary heart disease patients. Cochrane Database of Systematic Reviews 2009, Issue 2. [DOI: 10.1002/14651858.CD006577.pub2]

Bradt 2010

Bradt J, Dileo C, Grocke D. Music interventions for mechanically ventilated patients. Cochrane Database of Systematic Reviews 2010, Issue 12. [DOI: 10.1002/14651858.CD006902.pub2]

Bradt 2011

Bradt J, Dileo C, Grocke D, Magill L. Music interventions for improving psychological and physical outcomes in cancer patients. Cochrane Database of Systematic Reviews 2011, Issue 8. [DOI: 10.1002/14651858.CD006911.pub2]

Bradt 2012

Bradt J. Randomized controlled trials in music therapy: Guidelines for design and implementation. Journal of Music Therapy 2012;49(2):120‐49.

Cepeda 2006

Cepeda MS, Carr DB, Lau J, Alvarez H. Music for pain relief. Cochrane Database of Systematic Reviews 2006, Issue 2. [DOI: 10.1002/14651858.CD004843.pub2]

Chlan 1998

Chlan L. Effectiveness of a music therapy intervention on relaxation and anxiety for patients receiving ventilatory assistance. Heart and Lung 1998;27(3):169‐76.

Cohen 1988

Cohen J. Statistical power analysis for the behavioral sciences. 2nd Edition. Hillsdale, NJ: Lawrence Earlbaum Associates, 1988.

Dileo 1999

Dileo C. A classification model for music and medicine. Applications of Music in Medicine. Silver Spring: National Association for Music Therapy, 1999:1‐6.

Dileo 2005

Dileo CD, Bradt J. Medical music therapy: A meta‐analysis & agenda for future research. Jeffrey Books, 2005.

Dileo 2007

Dileo C, Bradt J. Music therapy: Applications to Stress Management. In: Lehrer PM, Woolfolk RL editor(s). Principles and Practice of Stress Management. 3rd Edition. New York: Guilford Press, 2007.

Dileo 2008

Dileo C, Bradt J, Murphy K. Music for preoperative anxiety. Cochrane Database of Systematic Reviews 2008, Issue 1. [DOI: 10.1002/14651858.CD006908]

Frank 1985

Frank JM. The effects of music therapy and guided visual imagery on chemotherapy‐induced nausea and vomiting. Oncology Nursing Forum 1985;12(5):47‐52. [MEDLINE: 3898031]

Friedman 2007

Friedman BH. An autonomic flexibility‐neurovisceral integration model of anxiety and cardiac vagal tone. Biological Psychology 2007;74(2):185‐99.

Hamel 2001

Hamel WJ. The effects of music intervention on anxiety in patients waiting for cardiac catheterization. Intensive & Critical Care Nursing 2001;17:279‐85. [MEDLINE: 11866419]

Higgins 2002

Higgins JPT, Thompson SG. Quantifying heterogeneity in a meta‐analysis. Statistics in Medicine 2002;21:1539‐58.

Higgins 2011

Higgins JPT, Green S (Editors). Cochrane Handbook for Systematic Reviews of Interventions 5.1.0 [updated March 2011]. The Cochrane Collaboration, 2011. [Available from www.cochrane‐handbook.org]

Kain 2000

Kain ZN, Sevarino F, Alexander GM, Pincus S, Mayes LC. Preoperative anxiety and postoperative pain in women undergoing hysterectomy. A repeated‐measures design. Journal of Psychosomatic Research 2000;49:417‐22. [MEDLINE: 11182434]

Kiecolt‐Glaser 1998

Kiecolt‐Glaser JK, Page G, Marucha PT, MacCallum RC, Glaser R. Psychological influences on surgical recovery: perspectives from psychoneuroimmunology. American Psychologist 1998;53(11):1209‐18.

Lai 2006

Lai HL, Chen CJ, Peng TC, Chang FM, Chen ML, Huang HY, Chang SC. Randomized controlled trial of music during kangaroo care on perinatal anxiety and preterm infants’ responses. International Journal of Nursing Studies 2006;43:139–46.

Lee 2005

Lee O, Chung Y, Chan M, Chan W. Music and its effect on the physiological responses and anxiety levels of patients receiving mechanical ventilation: a pilot study. Journal of Clinical Nursing 2005;14(5):609‐20.

Leroy 2003

LeRoy S, Elixson EM, O'Brien P, Tong E, Turpin S, Uzark K. Recommendations for preparing children and adolescents for invasive cardiac procedures. Circulation 2003;108:2250.

Maranets 1999

Maranets I, Kain ZN. Preoperative anxiety and intraoperative anesthetic requirements. Anesthesia and Analgesia 1999;89:1346‐51. [MEDLINE: 10589606]

McAuley 2000

McAuley L, Pham B, Tugwell P, Moher D. Does the inclusion of grey literature influence estimates of intervention effectiveness reported in meta‐analyses?. Lancet 2000;356:1228‐31.

Mitchell 2003

Mitchell M. Patient anxiety and modern elective surgery: a literature review. Journal of Clinical Nursing 2003;12(6):806‐15.

Nilsson 2008

Nilsson U. The anxiety‐ and pain‐reducing effects of music interventions: a systemic review. AORN Journal 2008;87(4):780–807.

Norred 2000

Norred CL. Minimizing preoperative anxiety with alternative caring‐healing therapies. Association of Perioperative Registered Nurses Journal 2000;72(5):838‐40, 842‐3.

Ozalp 2003

Ozalp G, Sarioglu R, Tuncel G, Aslan K, Kadiogullari N. Preoperative emotional states in patients with breast cancer and postoperative pain. Acta Anaesthesiologica Scandinavica 2003;47:26‐9. [MEDLINE: 12492793]

Pelletier 2004

Pelletier CL. The effect of music on decreasing arousal due to stress: a meta‐analysis. Journal of Music Therapy 2004;41:192‐214.

Pfaff 1989

Pfaff VK, Smith KE, Gowan D. The effects of music assisted relaxation on the distress of pediatric cancer patients undergoing bone marrow aspiration. Children's Health Care 1989;18:232‐6.

Pittman 2011

Pittman S, Kridli S. Music intervention and preoperative anxiety: an integrative review. International Nursing Review 2011;58:157‐63.

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Robb 2011

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Schulz 2010

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Scott 2004

Scott A. Managing anxiety in ICU patients: the role of pre‐operative information provision. Nursing in Critical Care 2004;9(2):72‐9. [MEDLINE: 15068057]

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Spielberger 1983

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Standley 1986

Standley JM. Music research in medical/dental treatment: a meta‐analysis and clinical implications. Journal of Music Therapy 1986;23:56‐122.

Standley 2000

Standley JM. Music research in medical treatment. Effectiveness of music therapy procedures: Documentation of research and clinical practice. 3rd Edition. Silver Spring: American Music Therapy Association, 2000:1‐64.

Tan 2012

Tan X, Yowler CJ, Super DM, Fratianne RB. The interplay of preference, familiarity and psychophysical properties in defining relaxing music. Journal of Music Therapy 2012;49(2):150‐79.

White 1999

White JM. Effects of relaxing music on cardiac autonomic balance and anxiety after acute myocardial infarction. American Journal of Critical Care 1999;8(4):220‐30. [MEDLINE: 10392221]

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Characteristics of studies

Characteristics of included studies [ordered by study ID]

Allen 2001

Methods

Randomized controlled trial (RCT)

2‐arm parallel group design

Participants

Adult ambulatory surgical patients scheduled for ophthalmic surgery

Diagnosis: 2 patients with glaucoma; all others: cataract removal

Total N randomized: 40

N randomized to music group: 20

N randomized to control group: 20

N analysed in music group: 20

N analysed in control group: 20

Mean age: 75.5 years

Sex: 30 (75%) females, 10 (25%) males

Ethnicity: Not reported

Setting: outpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music through headphones

2. Control group: resting quietly, no music

Music provided: participants selected from 22 types of music including soft hits, classical guitar, chamber music, folk music or popular singers from the 1940s and 1950s

Number of sessions: 1

Length of sessions: Not reported

Categorized as music medicine

Outcomes

Systolic blood pressure (SBP), diastolic blood pressure (DBP), heart rate (HR): post‐test scores in preoperative period

Stress: not included in this review since this outcome was measured only at baseline and postoperatively

Coping: not included in this review since this outcome was measured only at baseline and postoperatively

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Patients were sequentially selected from the patient rosters of two ophthalmic surgeons. Office assistants unaware of the study prepared patient rosters. On each day of data collection surgeons were randomly assigned to have their patients in the experimental or control group."

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

Low risk

This study used two subjective outcomes but these could not be included in this review because they did not pertain to preoperative anxiety. Therefore, a low risk of bias rating is given here.

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

SBP, DBP and HR measurement were obtained by a Propaq Monitor and digitally recorded. It is unclear if the outcome assessor collecting the physiological responses was blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

This research was supported in part by a grant from the Food and Drug Administration (FD‐T‐ 000889). No conflicts of interest identified.

Arslan 2008

Methods

Controlled clinical trial (CCT)

2‐arm parallel group design

Participants

Adult patients undergoing urogenital surgery

Diagnosis: urinary tract problems (n = 48, 75%); genital tract problems (n = 16, 25%)

Total N randomized: 64

N randomized to music group: 32

N randomized to control group: 32

N analysed in music group: 32

N analysed in control group: 32

Mean age: 43.29 years

Sex: 0 (0%) females, 64 (100%) males

Ethnicity: Turkish (no detailed ethnicity information is reported)

Setting: inpatient

Country: Turkey

Interventions

Two study groups:

1. Music group: listening to preferred music through headphones plugged into a portable cassette player

2. Control group: standard care

Music provided: participants selected from Turkish classical music, folk music, Turkish art music, or pop music

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

State anxiety (Spielberger State‐Trait Anxiety Inventory ‐ State Anxiety form, STAI‐S): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "Random assignment was achieved based on the day that patients underwent surgery. Patients who underwent surgery on Monday or Wednesday were assigned to the control group while patients who had their surgery on Tuesday or Thursday were assigned to the experimental group."

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Augustin 1996

Methods

CCT

2‐arm parallel group design

Participants

Adult patients scheduled for ambulatory surgery

Type of surgery: arthroscopy (n = 12, 26%), herniorrhaphy (n = 8, 17%), orthopedic procedure (n = 6, 13%), urologic procedures (n = 5, 11%), nerve repairs (n = 4, 9%), endoscopic procedure (n = 3, 6%), laparoscopic procedures (n = 2, 4%), and breast biopsies (n = 2, 4%)

Total N randomized: 42

N randomized to music group: 21

N randomized to control group: 21

N analysed in music group: 21

N analysed in control group: 21

Mean age: 47

Sex: 17 (40%) females, 25 (60%) males

Ethnicity: 100% Caucasian

Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: preoperative instruction coupled with music listening

2. Control group: routine preoperative instruction

Music provided: participants selected from classical, environmental, new age, western country, or general easy‐listening music

Number of sessions: 1

Length of sessions: 15‐30 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI‐S): change score

HR, respiratory rate (RR), SBP, DBP: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "When patients agreed to participate, we obtained their written informed consents and alternately assigned them to either the experimental or control group."

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded (personal communication with chief investigator)

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

The outcome assessors were not blinded (personal communication with chief investigator)

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss (personal communication with chief investigator)

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Bringman 2009

Methods

RCT

2‐arm parallel group design

Participants

Adults patients scheduled for an elective day or short‐stay surgery

Type of surgery: laparotomy, hip replacement, laparoscopy, ventral hernia repair, inguinal hernia repair, arthroscopy, varicose vein, scrotal or vaginal surgery (number of participants per diagnosis not reported)

Total N randomized: 372

N randomized to music group: 190

N randomized to control group: 182

N analysed in music group: 177

N analysed in control group: 150

Mean age: 50 years

Sex: 198 (53%) females, 138 (47%) males

Ethnicity: not reported

Setting: inpatient

Country: Sweden

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music. Patients in the music group did not receive pre‐medication midazolam solution.

2. Control group: standard pre‐medication midazolam solution orally

Music provided: participants selected from classical, soft pop/film, soft jazz, nature sound, or instrumental music. CDs were compiled by a professional music therapist.

Number of sessions: 1

Length of sessions: 17‐42 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI‐S): post‐test score

HR, SBP, DBP, arterial pressure (AP): post‐test scores

Notes

Even though a professional music therapist helped with the selection of the music for this study, this study is categorized as a music medicine study because the patients listened to pre‐recorded music without the presence of a therapeutic process with the music therapist.

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "The music therapist randomized the patients through sealed envelopes immediately before the intervention"

Allocation concealment (selection bias)

Low risk

Quote: "[the music therapist] drew the first envelope in a row of previously randomly mixed envelopes consisting of an equal number of both allocations."

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

The music therapist recorded the blood pressure and heart rate using a Riester fully automatic digital blood pressure monitor before and after the intervention. The music therapist was not blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition 12%: 13 patients were excluded from experimental group due to logistic reasons (n = 12) and other reason (n = 1), and 23 patients were excluded from the control group due to logistic reasons (n = 19), and not receiving midazolam (n = 4).

Quote: "The reasons for exclusion were logistic in the majority of cases, mainly due to a too early call to the operating room, which had the effect that the time between the intervention and the evaluation was too short. Hence, 177 patients in the music group and 159 in the midazolam group went through the study protocol; however, nine patients in the midazolam group were too sedated to be able to complete the second STAI X‐1."

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Cassidy 2003

Methods

RCT

2‐arm parallel group design

Participants

Adult patients scheduled for elective surgery

Type of surgery: no details reported

Total N randomized: 32

N randomized to music group: 16

N randomized to control group: 16

N analysed in music group: 16

N analysed in control group: 16

Mean age: 41.5

Sex: 21 (65.6%) females, 11 (34.4%) males

Ethnicity: Not reported

Setting: Outpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: standard care

Music provided: Participants were asked to bring the music of their choice from home

Number of sessions: 1

Length of sessions: 15 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI‐S): post‐test scores

RR, pulse, SBP, DBP: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "The first patients was assigned to control group or intervention group by a coin toss. Each subsequent subject was assigned alternately to the control group or intervention group"

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

The researcher measured the pulse, respiration and blood pressure and was not blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Chang 1996

Methods

RCT

2‐arm parallel group design

Participants

Adult patients scheduled for surgery

Type of surgery: open heart surgery including coronary artery bypass graft surgery (CABG) (n = 17, 27%) , valvular surgery (n = 33, 53%), and other (n = 12, 19%)

Total N randomized: 62

N randomized to music group: 32

N randomized to control group: 30

N analysed in music group: 32

N analysed in control group: 30

Mean age: 51.8

Sex: 29 (47%) females, 33 (53%) males

Ethnicity: not reported; most participants likely Taiwanese

Setting: Inpatient

Country: Taiwan

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: resting

Music provided: music with 60‐72 beats per minute with bass tone and soft melody or religious music in a variety of languages including Chinese, Taiwanese, English and Japanese

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (VAS): post‐test scores

HR, RR, SBP, DBP, pain, skin temperature: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Not reported

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for this study

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Cooke 2005

Methods

RCT

3‐arm parallel group design

Participants

Adult patients scheduled for day surgery

Type of surgery: orthopaedic (n = 57, 32%), skin (n = 58,32%), breast (n = 15, 8%), urology (n = 24, 13%), general (n = 15, 8%), other (n = 11, 6%)

Total N randomized: 180 (120 included in this review)

N randomized to music group: 60

N randomized to control group: 60

N randomized to placebo group: 60 (not included in this review)

N analysed in music group: 60

N analysed in control group: 60

N analysed in placebo group: 60 (not included in this review)

Mean age: 55.7 years

Sex: 90 (50%) females, 90 (50%) males

Ethnicity: Not reported

Setting: Outpatient

Country: USA

Interventions

Three study groups:

1. Music group: listening to pre‐recorded music

2. Control group: standard nursing care

3. Placebo group: Wore headphones for 30 minutes with no sound.

Music provided: patient‐selected pre‐recorded CD from one of the following genres, classical, jazz, country and western, new age, or easy‐listening

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI‐S): post‐test scores

Notes

Standard deviations (SDs) are not reported in the research report but we were able to obtain the values from the investigator

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "A computer‐generated list was used for permuted block random assignment to intervention, placebo or control groups by gender. That is, males and females were randomized separately so that equal numbers of each were assured in each group"

Allocation concealment (selection bias)

Low risk

Quote: "A biostatistician and research assistant who did not participate in data collection conducted the randomization procedures and prepared sequentially numbered sealed envelopes containing the random assignment for each consenting patient."

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Blinding of participants was not possible. The nurses who provided care were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

The study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. This research was supported by funding received from the Griffith University New Researcher Grant Scheme

DeMarco 2012

Methods

CCT

2‐arm parallel group design

Participants

Adult patients undergoing elective cosmetic surgery

Type of surgery: cosmetic surgery (no further details reported)

Total N randomized: 38

N randomized to music group: 19

N randomized to control group: 19

N analysed in music group: 14

N analysed in control group:12

Mean age: 46.35

Sex: 24 (96%) females, 2 (4%) males

Ethnicity: Not reported

Setting: Outpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to prerecorded music via headphones

2. Control group: standard care

Music provided: CD selected by a music therapist: "Music for Unwinding". Music was composed by J Nagler, music therapist. The music style was identified as New Age

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

STAI: change scores

HR, SBP: change scores

Notes

Even though a music therapist was involved with the music selection, the authors specifically state that this study did not use a music therapy intervention

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

"Patients were randomized based on the day of their surgery using alternating placement in the control and experimental groups"

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessor was not blinded

Incomplete outcome data (attrition bias)
All outcomes

High risk

Large subject loss: 32% (n = 12). Subject withdrawals are reported as follows: 38 participants consented and 26 completed all study requirements. Reasons for withdrawal included "patients cancelled the procedures, were taken into surgery early with no adequate time to complete all study requirements"

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No conflict of interest statement was reported

Evans 1994

Methods

RCT

2‐arm parallel group design

Participants

Patients undergoing surgery under general anaesthesia

Type of surgery: endoscopic cholecystectomy (n = 16, 67% ), endoscopic henorrhapsy (n = 7, 29% ), endoscopic appendectomy (n = 1, 4%)

Total N randomized: 24

N randomized to music group: 18

N randomized to control group: 6

N analysed in music group: 18

N analysed in control group: 6

Mean age: 48.1

Sex: 14 (58%) females, 10 (42%) males

Ethnicity: Not reported

Setting: Inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: receiving verbal reassurance

Music provided: Participants selected from a variety of "easy listening" music that the medical staff had recorded.

Number of sessions:1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI, Visual Analogue Anxiety Scale (VAAS)): could not be included in this review (see notes)

SBP, DBP, HR: post‐test scores

Notes

State anxiety was measured before the music intervention, but not immediately after the music intervention. The post‐test was administered after the surgery. Therefore, this data could not be included.

VAAS was administered before and immediately after the music intervention. However, because of insufficient data reporting, this outcome could not be included in this review

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quotes: "The first 2 patients were assigned to the experimental group, and the third patient to the control group. This pattern was continued until 24 patients were enrolled."

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Gaberson 1995

Methods

RCT

3‐arm parallel group design

Participants

Adult patients scheduled for surgical procedures

Type of surgery: general, orthopedic, gynaecologic, ophthalmic, otolaryngologic, and dental surgery (number of participants per type of surgery not specified)

Total N randomized:46 (31 included in this review)

N randomized to music group: 16

N randomized to humorous distraction group: 15 (not included in this review)

N randomized to control group: 15

N analysed in music group: 16

N analysed in humorous distraction group:15 (not included in this review)

N analysed in control group: 15

Mean age: 47.07

Sex: 27 (59%) females, 19 (41%) males

Ethnicity: Not reported

Setting: Inpatient

Country: USA

Interventions

Three study groups:

1. Music group: listening to pre‐recorded music

2. Humorous distraction group: listening to a humorous tape

3. Control group: received no auditory distraction during the waiting period

Music provided: An audiotape of slow, quiet, instrumental music (e.g., Omni Suite by Steven Bergman)

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (VAS): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Each research assistant randomly assigned subjects by lottery to one of three groups"

Allocation concealment (selection bias)

Low risk

Draw by lots ensured allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for this study

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. This study was supported by an AORN Nurse Scientist Grant and a Duquesne University, Pittsburgh, Supplemental Faculty Development Grant.

Ganidagli 2005

Methods

RCT

2‐arm parallel group design

Participants

Adult patients scheduled for surgical procedures

Type of surgery: septorhinoplastic surgery

Total N randomized:54

N randomized to music group: 28

N randomized to control group: 26

N analysed in music group: 25

N analysed in control group: 25

Mean age: 30

Sex: 21 (42%) females, 29 (58%) males

Ethnicity: Not reported

Setting: Inpatient

Country: Turkey

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music through headphone

2. Control group: listening to a blank cassette or CD through headphone

Music provided: Patients brought their own music

Number of sessions: 1

Length of sessions: 50 minutes

Categorized as music medicine

Outcomes

Anxiety (Observer’s Assessment of Alertness/Sedation Scales, Bispectral Index): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: “they were assigned using a table of random numbers, to receive either music (music group) or no music (control group)"

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Blinding of participants was not possible. Personnel were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

Low risk

This study did not address any subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

The outcome assessors were blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: 7 %(n = 4). Three patients from the music group and one patient from the control group were excluded from the study because of technical problems related to the music player.

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Guo 2005

Methods

RCT

2‐arm parallel group design

Participants

Adults patients scheduled for laparoscopic surgery

Type of surgery: laparoscopic surgery

Total N randomized: 93

N randomized to music group: 48

N randomized to control group: 45

N analysed in music group: 48

N analysed in control group: 45

Mean age: 40.80

Sex: 54 (58%) females, 39 (42%) males

Ethnicity: Not reported

Setting: Not reported

Country: China

Interventions

Two study groups:

1. Music group: listening to preferred music through headphone

2. Control group: wearing headphone without music

Music provided: participants selected from six types of pre‐recorded music (classical music, light music, pop music, folk music, folk songs, and opera).

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI): post‐test score

HR, SBP, DBP, skin conductivity response, salivary cortisol: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Computer‐generated list of numbers

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Participants could not be blinded. Personnel were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

Outcome assessors were blinded by use of headphones in the control group

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: 7% (n = 7). Seven patients were excluded due to changing surgery, refusing to continue the study and environmental interference. Exact number of subject loss from each group is not reported

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Hook 2008

Methods

RCT

2‐arm parallel group design

Participants

Adult patients undergoing surgery

Type of surgery: Not specified

Total N randomized: 108

N randomized to music group: 54

N randomized to control group: 54

N analysed in music group: 51

N analysed in control group: 51

Mean age: 40.3

Sex: 108 (100%) females, 0 males

Ethnicity: 100% Malaysian

Setting: Inpatient

Country: Malaysia

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: standard care

Music provided: Participants selected from Western, Malay or Chinese music that the medical staff had recorded. All music has a tempo of 60‐80 bpm

Number of sessions: 8

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI, Visual Analogue Scale for Anxiety (VASA)): Only VASA post‐test scores are included in this review (see notes)

Notes

Both VASA and STAI were used to measure anxiety. But STAI post‐test scores were obtained after the surgery. VASA data were obtained at the start and the end of the music intervention prior to surgery. Therefore, only VASA data are used in this review.

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: “Subjects were randomly assigned, using the “envelope method,” to either the music therapy group or the control group”

Allocation concealment (selection bias)

Low risk

Use of sealed envelopes

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: 6% (n = 6) The reasons for the subject loss were not reported.

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. This study was supported by Prince of Songkla University, Thailand.

Kushnir 2012

Methods

RCT

2‐arm parallel group design

Participants

Adult women undergoing elective cesarean section because of medical reasons

Type of surgery: caesarean section

Total N randomized: 62

N randomized to music group: 30

N randomized to control group: 32

N analysed in music group: 28

N analysed in control group: 30

Mean age: 32.1

Sex: 60 (100%) females, 0 males

Ethnicity: not reported

Setting: Inpatient

Country: Israel

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: bedrest with no music

Music provided: Participants selected from three options: light popular music, light classical music, Israeli songs

Number of sessions: 1

Length of sessions: 40 minutes

Categorized as music medicine

Outcomes

Positive mood, negative mood, perceived threat of surgery: not used in this study

HR, SBP, DBP: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

"The researchers preprepared sealed envelopes, each containing a card with either "yes" or "no" in equal numbers. Each woman chose a sealed envelope. the women who had the yes card were included in the experimental group, those who had no were included in the control group".

Allocation concealment (selection bias)

Low risk

Participants were asked to draw and open a sealed envelope

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

The outcome assessor was not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Two participants were excluded because of their music selection. Because these two participants were the only ones who selected popular music, the researchers decided to exclude them because analysis per music selection would not be possible with such a small subgroup.

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Lee 2004

Methods

CCT

2‐arm parallel group design

Participants

Adults undergoing surgery

Type of surgery: cystoscopy, cauterisation or endoscopy

Total N randomized: 113

N randomized to music group: 58

N randomized to control group: 55

N analysed in music group: 58

N analysed in control group: 55

Mean age: 51

Sex: 55 (49%) females, 58 (51%) males

Ethnicity: 100% Hong Kong Chinese

Setting: inpatient

Country: China

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: participating in the usual pre‐procedural relaxing activities (e.g., reading or watching television) in the waiting rooms

Music provided: participants selected from eastern and western style easy listening music or Chinese pop music

Number of sessions: 1

Length of sessions: 20‐40 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI): post‐test scores

RR, pulse, SBP, DBP: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "Patients who had their procedure on Wednesday were assigned to the control group and patients who had their procedure on Thursday were assigned to the music group"

Allocation concealment (selection bias)

High risk

Alternate assignment prohibited allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. The study was supported by the Lee Hysan Foundation and grant from Chinese University of Hong Kong

Lee 2011

Methods

RCT

3‐arm parallel group design

Participants

Adults undergoing surgery

Type of surgery: orthopaedics (n = 23, 14%), general (n = 29, 17%), gynaecology (n = 44, 26%), urology (n = 16, 10%), neurosurgery (n = 20, 12%), other (n = 35, 21%)

Total N randomized: 180

N randomized to music (headphone) group: 56

N randomized to music (broadcast) group: 66

N randomized to control group: 58

N analysed in music (headphone) group: 48

N analysed in music (broadcast) group: 66 (not used in this study)

N analysed in control group: 53

Mean age: 49.36

Sex: 28 (55%) females, 23 (45%) males

Ethnicity: not reported; it is likely that the majority of the participants were Taiwanese

Setting: inpatient

Country: Taiwan

Interventions

Three study groups:

1. Headphone group: Listening to music through headphone for 10 minutes

2. Broadcast group: Listening to music from an open speaker for 10 minutes

3. Control group: participants were told to rest and relax

Music provided: Folk songs or pop music, played at a tempo of 60–80 beats per minute and a volume of 50–55 db

Number of sessions: 1

Length of sessions: 10 minutes

Categorized as music medicine

Outcomes

Anxiety (Numeric rating scale (NRS): post‐test scores

HR and heart rate variability (HRV) (CheckMyHeart handheld HRV device): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Random block sampling. Quote: "We applied random table to divide numbers 1–30 to three groups to determine each day of a month to be ‘headphone day,’ ‘broadcast day’ or ‘control day’"

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used to assess the subjective outcome

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate 7% (n = 13). Eight patients from the experimental group were excluded due to HRV data incomplete or too much noise (n = 2), being sent to surgery before the end of measurement (n = 3), or refusing to take the measure (n = 3). Five patients from the control group were excluded due to HRV data were incomplete (n = 2) or being sent to surgery before the end of measurement (n = 3).

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Lee 2012

Methods

RCT

2‐arm parallel group design

Participants

Adults undergoing surgery

Type of surgery: Gynaecology (n = 41, 25%), orthopaedics (n = 29, 18%), general (n = 14, 8%), urology (n = 12, 7%), neurosurgery (n = 16, 10%), other (n = 25, 16%)

Total N randomized: 161

N randomized to music group: 82

N randomized to control group: 79

N analysed in music group: 76

N analysed in control group: 64

Mean age: 49.63

Sex: 70 (50%) females, 70 (50%) males

Ethnicity: Not reported

Setting: inpatient

Country: Taiwan

Interventions

Two study groups:

1. Music group: listening to10‐min session of music through headphones

2. Control group: receiving the VAS and HR measurements by the researcher at a 10‐min interval without a music intervention.

Music provided: Patients selected from five kinds of music (folk songs or pop music), played at a tempo of 60–80 beats per minute and a volume of 50–55 db

Number of sessions: 1

Length of sessions: 10 minutes

Categorized as music medicine

Outcomes

Anxiety (NRS): post‐test scores

HR, HRV (CheckMyHeart): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: “We assigned participants to groups using birthdays, placing those with even birth dates in the experimental group and those with odd birth dates in the control group.”

Allocation concealment (selection bias)

High risk

Systematic form of group allocation based on date of birth prevented allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used to assess the subjective outcome

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

HR measurement were obtained by CheckMyHeart HRV device. Unclear if outcome assessor was blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: 12% (n = 19). Six patients from the experimental group were excluded due to HRV data incomplete or too much noise (n = 4), or being sent to surgery before the end of measurement (n = 2). Thirteen patients from the control group were excluded due to HRV data incomplete or too much noise (n = 7), being sent to surgery before the end of measurement (n = 4), or refusing to take the measure (n = 2).

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. There was no external financial support for this research

Li 2004

Methods

RCT

2‐arm parallel group design

Participants

Adult patients undergoing surgery

Diagnosis: gastric cancer

Total N randomized: 60

N randomized to music group: 30

N randomized to control group: 30

N analysed in music group: 30

N analysed in control group: 30

Mean age: Not reported

Sex: 23(38%) females, 37 (62%) males

Ethnicity: Not reported

Setting: Inpatient

Country: China

Interventions

Two study groups:

1. Music group: listening to pre‐recorded music

2. Control group: receiving verbal support (explanation, guidance, encouragement and comfort)

Music provided: Researcher‐selected Chinese classical music

Number of sessions: 8

Length of sessions: 20‐30 minutes

Categorized as music medicine

Outcomes

Anxiety (Zung Self‐Rating Anxiety Scale (SAS)): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Not reported

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

Unclear risk

Blinding of participants was not possible. Blinding of personnel was not reported

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used to assess the subjective outcome

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Lin 2011

Methods

RCT

2‐arm parallel group design

Participants

Adults undergoing surgery

Type of surgery: Spinal surgery

Total N randomized: 60

N randomized to music group: 30

N randomized to control group: 30

N analysed in music group: 30

N analysed in control group: 30

Mean age: 62.18

Sex: 29 (49.3%) females, 31 (51.7%) males

Ethnicity: Not reported

Setting: Inpatient

Country: Taiwan

Interventions

Two study groups:

1. Music group: listening to preferred music through headphones

2. Control group: resting in bed undisturbed while the environment was kept quiet

Music provided: Patients selected preferred music from Chinese pop music, classical music, nature sounds and sacred music that researchers provided. All music has a tempo between 6‐ and 72 beats per minute.

Number of sessions: 4 sessions with measurements before and after each music session (evening before surgery, one hour before surgery, afternoon of first post‐operative day, and second post‐operative days). We used the one hour pre‐op time point for this review.

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Anxiety (VAS): post‐test score

Pulse, DBP, SBP: post‐test score

Notes

Both STAI and VAS were used to measure anxiety but only VAS data are used because the STAI post‐test was administered after the surgery.

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "All patients scheduled for surgery on Tuesdays and Thursdays were assigned to the study group, while those scheduled for surgery on Wednesdays and Fridays were assigned to the control group."

Allocation concealment (selection bias)

High risk

Systematic form of group allocation prevented allocation concealment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for the subjective outcome

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases. This study was financially sponsored by the Taipei Veterans General Hospital (Grant No.V95B2‐004).

Miluk‐Kolasa 1996

Methods

CCT

2‐arm parallel group design

Participants

Adult patients awaiting non‐orthopaedic surgeries

Diagnosis: Laryngological surgery (n = 79, 79%), varicectomy (n = 21, 21%)

Total N randomized: 100

N randomized to music group: 50

N randomized to control group: 50

N analysed in music group: 50

N analysed in control group: 50

Mean age: range between 20‐60

Sex: 28 (28%) females, 72 (72%) males

Ethnicity: Not reported

Setting: Inpatient

Country: Poland

Interventions

Two study groups:

1. Music group: listening to individually composed music programs from Walkman‐type tape players.

2. Control group: standard care

Music provided: Not reported

Number of sessions: 1

Length of sessions: 1 hour

Categorized as music medicine

Outcomes

SBP, DBP, HR, cardiac output, stroke volume, temperature, and glucose count: only percentage change scores are reported. These cannot be combined with post‐test/change scores in the meta‐analysis and therefore results are only presented in the narrative.

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Randomization method is not reported. Quote: "Subjects were randomly assigned to either group C or Group M"

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

Low risk

This study did not address any subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Outcomes were measured with electronic equipment. It is unclear if outcome assessors were blinded

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Miluk‐Kolasa 2002

Methods

CCT

2‐arm parallel group design

Participants

Patients awaiting for the crural varicectomy or laryngological surgeries

Type of surgery: crural varicectomy (n = 19, 21%) or laryngological surgery (n = 70, 79%)

Total N randomized: 89

N randomized to music group: 45

N randomized to control group: 44

N analysed in music group: 45

N analysed in control group: 44

Mean age: 40

Sex: 27 (30%) females, 62 (70%) males

Ethnicity: Not reported

Setting: Inpatient

Country: Poland

Interventions

Two study groups:

1. Music group: listening to the music for 60 minutes

2. Control group: standard care

Music provided: Not reported

Number of sessions: 1

Length of sessions: 60 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI): post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Randomization method was not reported. Quote: "Patients were allotted to groups at random"

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study does not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Ni 2011

Methods

RCT

2‐arm parallel group design

Participants

Adult patients admitted to outpatient surgery

Type of surgery: neurosurgery (n = 29, 17%), obstetrics and gynaecology (n = 32, 7%), general clinic (n = 19, 11.1%), ear ‐ nose ‐ throat (n = 13, 7.6%), urology (n = 14, 8.2%), plastic surgery (n = 61, 35.7%), cardiovascular (n = 3, 1.8%)

Total N randomized: 174

N randomized to music group: 87

N randomized to control group: 87

N analysed in music group: 86

N analysed in control group: 86

Mean age: 40.9 (11.8)

Sex: 112 (65%) females, 60 (35%) males

Ethnicity: Not reported

Setting: Outpatient

Country: Taiwan

Interventions

Two study groups:

1. Music group: listening to the music for 20 minutes via headphones

2. Control group: standard care

Music provided: Investigator‐selected mini library of soothing popular Chinese and Taiwanese pop songs (low‐tone, slow rhythm ballads only). Participants selected music from this library

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

STAI: change scores

HR, SBP, DBP: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

"computer‐generated permuted block randomization was used to assign participants to either experimental or control group"

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for the subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessor was not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Authors reported two withdrawals

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Szeto 1999

Methods

CCT

2‐arm parallel group design

Participants

Adult patients awaiting elective inpatient surgery

Diagnosis: Not reported

Total N randomized:12

N randomized to music group: 6

N randomized to control group: 6

N analysed in music group: 6

N analysed in control group: 3

Mean age: 58

Sex: Not reported

Ethnicity: Not reported

Setting: Inpatient

Country: Hong Kong

Interventions

Two study groups:

1. Music group: listening to self‐selected music for 20 minutes

2. Control group: standard care

Music provided: participants selected from slow rhythmical songs: Chinese or Western music. This music was determined to have sedative qualities by a panel of experts

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (Chinese version STAI): change scores

Tension (Subjective Unit of Tension Scale): change scores

SBP, DBP: change scores

Notes

JB computed change scores because of large pre‐test differences

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Not reported

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

High risk

Attrition rate: 33% (n = 3). Three patients from the control group could not complete the procedure, as they had to be sent to surgery

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Winter 1994

Methods

RCT

2‐arm parallel group design

Participants

Women undergoing elective gynaecological procedures

Types of surgery: exploratory laparoscopies, laparoscopic tubal ligation, ovarian cysts excision, and intrauterine device removal

Total N randomized: 50

N randomized to music group: 31

N randomized to control group: 19

N analysed in music group: 31

N analysed in control group: 19

Mean age: 37

Sex: 50 (100%) females, 0 (0%) males

Ethnicity: Not reported

Setting: Outpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to music through headphones

2. Control group: standard care

Music provided: Participants were asked to select from Schumann: Quartet for Piano and Strings in E‐Flat Major, Tchaikovsky: Symphony No. 6 in B minor (“Pathetique”), Beethoven: Symphony No. 2 in D Major (op. 36), Johnny Cash’s Greatest Hits, Willie Nelson’s Greatest Hits, The Beatles Part I, The Beatles Part II, Benny Goodman: Small Group 1941‐1945, Johnny Mathis: Better Together, Madonna: True Blue. The Temptations: 26th Anniversary, or The Mamas & The Papas: If You Can Believe Your Eyes

Number of sessions: 1

Length of sessions: 50 minutes

Categorized as music medicine

Outcomes

Anxiety (STAI‐S): change scores

HR, SBP, DBP: change scores

Notes

JB computed change scores and SD

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Computer‐generated list of random numbers

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss.

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Yung 2002

Methods

CCT

2‐arm parallel group design

Participants

Chinese male surgical patients in an acute general hospital waiting to undergo inpatient surgery for transurethral resection of the prostate (TURP)

Total N randomized: 30 (20 included in this review)

N randomized to music group: 10

N randomized to nurse present group: 10 (not included in review)

N randomized to control group: 10

N analysed in music group: 10

N analysed in nurse present group: 10 (not included in review)

N analysed in control group: 10

Mean age: 67.67

Sex: 0 (0%) females, 30 (100%) males

Ethnicity: 100% Chinese

Setting: Inpatient

Country: Hong Kong

Interventions

Three study groups:

1. Music group: listening to slow rhythm soft music via headphones

2. Nurse present group: A nurse stood with the patients while they were waiting in the holding area.  The nurse was present, but there was minimal verbal interaction

3. Control group: No music intervention or nurse present

Music provided: participants selected from slow rhythm songs, Chinese slow rhythm songs or Western slow rhythm songs

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (Chinese version STAI): change scores

HR, SBP, DBP: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Quote: "The subjects were randomly allocated to different conditions."

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self‐report measure was used for subjective outcome.

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Yung 2003

Methods

CCT

2‐arm parallel group design

Participants

Patient awaiting urological surgery

Type of surgery: TURP; Transurethral resection of the bladder (TURB); Cystolithotripsy; Herniorrhaphy; Laparoscopic cholecystectomy

Total N randomized: 66

N randomized to music group: 33

N randomized to control group: 33

N analysed in music group: 33

N analysed in control group: 33

Mean age: 64.68

Sex: 0 (0%) females, 60 (100%) males

Ethnicity: 100% Chinese

Setting: Inpatient

Country: Hong Kong

Interventions

Two study groups:

1. Music group: listening to music through headphones

2. Control group: standard care

Music provided: Participants were given choice of 3 tapes approved by panel of 3 music instructors at the university level. The panel agreed that the music was sedative in that it possessed minimal rhythmic characteristics. Choices included: Chinese instrumental music, Western instrumental music, or Western and Chinese slow songs

Number of sessions: 1

Length of sessions: 20 minutes

Categorized as music medicine

Outcomes

Anxiety (Chinese version STAI): post‐test scores

HR, RR, AP: post‐test scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Quote: "Patients were matched by type of operation into a music treatment group or a test control group."

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

Unclear risk

The participants were not blinded. It is unknown whether the personnel were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

A self‐report measure was used to measure the subjective outcome

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

There was no subject loss

Selective reporting (reporting bias)

Low risk

No indication of selective reporting

Other bias

Low risk

No indication of other biases

Key to abbreviations:

AP ‐ Arterial pressure; BPM – beats per minute; CABG ‐ Coronary artery bypass graft surgery; CD – Compact disc;  CCT ‐ Controlled clinical trial; DBP ‐ Diastolic blood pressure; HR ‐ Heart rate; HRV ‐ Heart rate variability; N ‐ Numbers; RCT – Randomized controlled trial; RR ‐ Respiratory rate; SAS ‐ Self‐Rating Anxiety Scale; SBP ‐ Systolic blood pressure; SD ‐ Standard deviations; TURB ‐ Transurethral resection of the bladder;  TURP ‐ Transurethral resection of the prostate; VAS ‐  Visual analogue scale; VAAS ‐ Visual analogue anxiety scale; STAI ‐ State‐Trait Anxiety Inventory for adults

 

Characteristics of excluded studies [ordered by study ID]

Study

Reason for exclusion

Aldrige 1993

Not RCT or CCT

Aragon 2002

Does not address preoperative anxiety; post‐test administered after the surgery

Arvelo Correa 1985

No numerical data reported

Bansal 2010

Does not address preoperative anxiety; music intervention provided during surgery

Beach 1991

Insufficient data reporting

Beddows 1997

Insufficient data reporting

Behl 1972

Not RCT or CCT

Brunges 2003

Insufficient data reporting

Chetta 1981

Insufficient data reporting

Chu 2004

Not RCT or CCT

Cirina 1994

Not RCT or CCT

Cowan 1991

Not RCT or CCT

Curtis 1987

Unable to obtain Master's thesis from University

Dabu‐Bondoc 2010

Use of binaural beat instead of music

Daub 1988

Standard deviations not reported. Unable to obtain contact information for authors

Erickson 1989

Insufficient data reporting

Gillen 2008

Not RCT or CCT

Haun 2001

Unclear if the study only included surgical biopsy patients. We contacted the authors but no response was received. As procedural patients (e.g., needle aspiration) are not included in this review, we decided to exclude this study

Jarred 2003

Not population of interest. Participants were family members of surgical patients

Johnson 2012

Did not address preoperative anxiety; post‐test administered after the surgery

Kaempf 1989

Insufficient data reporting

Kain 2006

Insufficient data reporting

Kamin 1982

Insufficient data reporting

Kamin 1987

Insufficient data reporting

Koch 1998

Does not address preoperative anxiety; music intervention provided during surgery

Leardi 2007

Does not address preoperative anxiety; music intervention provided during surgery

Lee 2002

Did not use standardized measures (personal communication)

Madson 2010

Does not address preoperative anxiety; music intervention provided after surgery

Miluk‐Kolasa 1994

Insufficient data reporting

Mok 2003

Does not address preoperative anxiety; music intervention provided during surgery

Moss 1987

Does not address preoperative anxiety; music intervention provided during surgery

Murphree 1988

Not RCT or CCT

Nilsson 2009

Does not address preoperative anxiety; music intervention provided during surgery

Nix 1963

Not RCT or CCT

Oyama 1987

Insufficient data reporting

Padmanabhan 2005

Use of binaural beat instead of music

Paradise 2001

Not RCT or CCT

Park 2000

Not RCT or CCT

Peristein 1994

Unable to obtain master's thesis

Phillips 1997

Insufficient data reporting

Robb 1995

No standard deviations reported. Chief investigator could not provide us with this information

Sanderson 1986

Not RCT or CCT

Scheve 2002

Did not use standardized measures (personal communication)

Spintge 1982

Insufficient data reporting

Staples 1993

Insufficient data reporting

Tusek 1999

Unacceptable allocation method: participants were assigned to the music intervention group based on availability of a CD player

Updike 1987

Not RCT or CCT

Walters 1996

Insufficient data reporting

Wang 2002

Unclear post‐test data reporting. Post‐test values are expressed as percentages of pretest values but it is unclear how the standard deviations were computed

Zhan 2008

Did not address preoperative anxiety; only reported data on postoperative anxiety

Characteristics of studies awaiting assessment [ordered by study ID]

Berbel 2007

Methods

Unknown

Participants

Patients awaiting surgery

Interventions

Music versus midazolam

Outcomes

Preoperative anxiety

Notes

Unable to obtain article

Dwita 2002

Methods

RCT

Participants

Patients awaiting surgery

Interventions

Music

Outcomes

Preoperative anxiety

Notes

Unable to obtain article

Data and analyses

Open in table viewer
Comparison 1. Music versus standard care

Outcome or subgroup title

No. of studies

No. of participants

Statistical method

Effect size

1 State anxiety STAI) Show forest plot

13

Mean Difference (IV, Random, 95% CI)

Subtotals only

Analysis 1.1

Comparison 1 Music versus standard care, Outcome 1 State anxiety STAI).

Comparison 1 Music versus standard care, Outcome 1 State anxiety STAI).

1.1 All studies

13

896

Mean Difference (IV, Random, 95% CI)

‐5.72 [‐7.27, ‐4.17]

1.2 Adequate randomization

4

435

Mean Difference (IV, Random, 95% CI)

‐5.76 [‐7.94, ‐3.57]

2 Anxiety (non‐STAI) Show forest plot

7

Std. Mean Difference (IV, Random, 95% CI)

Subtotals only

Analysis 1.2

Comparison 1 Music versus standard care, Outcome 2 Anxiety (non‐STAI).

Comparison 1 Music versus standard care, Outcome 2 Anxiety (non‐STAI).

2.1 All studies

7

504

Std. Mean Difference (IV, Random, 95% CI)

‐0.60 [‐0.90, ‐0.31]

2.2 Adequate randomization

3

182

Std. Mean Difference (IV, Random, 95% CI)

‐0.41 [‐0.71, ‐0.12]

3 Heart rate Show forest plot

16

Mean Difference (IV, Random, 95% CI)

Subtotals only

Analysis 1.3

Comparison 1 Music versus standard care, Outcome 3 Heart rate.

Comparison 1 Music versus standard care, Outcome 3 Heart rate.

3.1 All studies

16

1109

Mean Difference (IV, Random, 95% CI)

‐2.77 [‐4.76, ‐0.78]

3.2 Adequate randomization

6

525

Mean Difference (IV, Random, 95% CI)

‐2.44 [‐5.95, 1.07]

4 Heart rate variability ‐ LF/HF ratio Show forest plot

2

241

Mean Difference (IV, Random, 95% CI)

‐0.37 [‐1.16, 0.42]

Analysis 1.4

Comparison 1 Music versus standard care, Outcome 4 Heart rate variability ‐ LF/HF ratio.

Comparison 1 Music versus standard care, Outcome 4 Heart rate variability ‐ LF/HF ratio.

5 Systolic blood pressure Show forest plot

14

Mean Difference (IV, Random, 95% CI)

Subtotals only

Analysis 1.5

Comparison 1 Music versus standard care, Outcome 5 Systolic blood pressure.

Comparison 1 Music versus standard care, Outcome 5 Systolic blood pressure.

5.1 All studies

14

809

Mean Difference (IV, Random, 95% CI)

‐4.82 [‐12.13, 2.49]

5.2 Adequate randomization

5

424

Mean Difference (IV, Random, 95% CI)

‐5.80 [‐18.96, 7.36]

6 Diastolic blood pressure Show forest plot

13

Mean Difference (IV, Random, 95% CI)

Subtotals only

Analysis 1.6

Comparison 1 Music versus standard care, Outcome 6 Diastolic blood pressure.

Comparison 1 Music versus standard care, Outcome 6 Diastolic blood pressure.

6.1 All studies

13

786

Mean Difference (IV, Random, 95% CI)

‐2.37 [‐4.03, ‐0.71]

6.2 Adequate randomization

5

424

Mean Difference (IV, Random, 95% CI)

‐2.74 [‐5.65, 0.17]

7 Respiratory rate Show forest plot

6

375

Mean Difference (IV, Fixed, 95% CI)

0.97 [0.82, 1.11]

Analysis 1.7

Comparison 1 Music versus standard care, Outcome 7 Respiratory rate.

Comparison 1 Music versus standard care, Outcome 7 Respiratory rate.

Funnel plot of comparison: 1 Music versus standard care, outcome: 1.1 State Anxiety STAI.
Figuras y tablas -
Figure 1

Funnel plot of comparison: 1 Music versus standard care, outcome: 1.1 State Anxiety STAI.

Excluded Study flow diagram.
Figuras y tablas -
Figure 2

Excluded Study flow diagram.

Risk of bias summary: review authors' judgements about each risk of bias item for each included study.
Figuras y tablas -
Figure 3

Risk of bias summary: review authors' judgements about each risk of bias item for each included study.

Risk of bias graph: review authors' judgements about each risk of bias item presented as percentages across all included studies.
Figuras y tablas -
Figure 4

Risk of bias graph: review authors' judgements about each risk of bias item presented as percentages across all included studies.

Comparison 1 Music versus standard care, Outcome 1 State anxiety STAI).
Figuras y tablas -
Analysis 1.1

Comparison 1 Music versus standard care, Outcome 1 State anxiety STAI).

Comparison 1 Music versus standard care, Outcome 2 Anxiety (non‐STAI).
Figuras y tablas -
Analysis 1.2

Comparison 1 Music versus standard care, Outcome 2 Anxiety (non‐STAI).

Comparison 1 Music versus standard care, Outcome 3 Heart rate.
Figuras y tablas -
Analysis 1.3

Comparison 1 Music versus standard care, Outcome 3 Heart rate.

Comparison 1 Music versus standard care, Outcome 4 Heart rate variability ‐ LF/HF ratio.
Figuras y tablas -
Analysis 1.4

Comparison 1 Music versus standard care, Outcome 4 Heart rate variability ‐ LF/HF ratio.

Comparison 1 Music versus standard care, Outcome 5 Systolic blood pressure.
Figuras y tablas -
Analysis 1.5

Comparison 1 Music versus standard care, Outcome 5 Systolic blood pressure.

Comparison 1 Music versus standard care, Outcome 6 Diastolic blood pressure.
Figuras y tablas -
Analysis 1.6

Comparison 1 Music versus standard care, Outcome 6 Diastolic blood pressure.

Comparison 1 Music versus standard care, Outcome 7 Respiratory rate.
Figuras y tablas -
Analysis 1.7

Comparison 1 Music versus standard care, Outcome 7 Respiratory rate.

Summary of findings for the main comparison. Music interventions versus standard care for preoperative anxiety

Patient or population: patients with preoperative anxiety
Settings: In‐patient
Intervention: Music
Comparison: standard care

Outcomes

Illustrative comparative risks* (95% CI)

Relative effect
(95% CI)

No of Participants
(studies)

Quality of the evidence
(GRADE)

Comments

Assumed risk

Corresponding risk

Standard care

Music

Preoperative anxiety (STAI)
STAI. Scale from: 20 to 80.

The mean preoperative anxiety (stai) ranged across control groups from
37.63 to 44.43 points

The mean preoperative anxiety (stai) in the intervention groups was
5.72 lower
(7.27 to 4.17 lower)

896
(13 studies)

⊕⊕⊝⊝
low1

Preoperative anxiety (non‐STAI)
VAS, NRS

The mean preoperative anxiety (non‐stai) in the intervention groups was
0.60 standard deviations lower
(0.9 to 0.31 lower)

504
(7 studies)

⊕⊕⊝⊝
low1,2

Heart rate

The mean heart rate ranged across control groups from
70.06 to 86.44 beats per minute

The mean heart rate in the intervention groups was
2.77 lower
(4.76 to 0.78 lower)

1109
(16 studies)

⊕⊝⊝⊝
very low1,3,4

Heart rate variability
LF/HF ratio

The mean heart rate variability ranged across control groups from
1.77 to 2.6 LF/HF ratio

The mean heart rate variability in the intervention groups was
0.37 lower
(1.16 lower to 0.42 higher)

241
(2 studies)

⊕⊝⊝⊝
very low1,4,5

Systolic blood pressure

The mean systolic blood pressure ranged across control groups from
125.87 to 152 mm Hg

The mean systolic blood pressure in the intervention groups was
4.82 lower
(12.13 lower to 2.49 higher)

809
(14 studies)

⊕⊝⊝⊝
very low1,4,6

Diastolic blood pressure

The mean diastolic blood pressure ranged across control groups from
74.5 to 90 mm Hg

The mean diastolic blood pressure in the intervention groups was
2.37 lower
(4.03 to 0.71 lower)

786
(13 studies)

⊕⊝⊝⊝
very low1,4,7

Respiratory rate

The mean respiratory rate ranged across control groups from
16 to 23.2 breaths per minute

The mean respiratory rate in the intervention groups was
0.97 higher
(0.82 to 1.11 higher)

375
(6 studies)

⊕⊝⊝⊝
very low1,8

*The basis for the assumed risk (e.g. the median control group risk across studies) is provided in footnotes. The corresponding risk (and its 95% confidence interval) is based on the assumed risk in the comparison group and the relative effect of the intervention (and its 95% CI).
CI: Confidence interval;

GRADE Working Group grades of evidence
High quality: Further research is very unlikely to change our confidence in the estimate of effect.
Moderate quality: Further research is likely to have an important impact on our confidence in the estimate of effect and may change the estimate.
Low quality: Further research is very likely to have an important impact on our confidence in the estimate of effect and is likely to change the estimate.
Very low quality: We are very uncertain about the estimate.

1 The majority of the trials were assessed as high risk of bias studies
2 All point estimates favour music although the magnitude of the effect differs across studies.
3 Results were inconsistent across studies as evidenced by I² =79%.
4 Wide confidence interval
5 Results were inconsistent across studies as evidenced by I² =69%.
6 Results were inconsistent across studies as evidenced by I² =98%.
7 Results were inconsistent across studies as evidenced by I² =82%.
8 Results were inconsistent across studies as evidenced by I² =96%.

Figuras y tablas -
Summary of findings for the main comparison. Music interventions versus standard care for preoperative anxiety
Comparison 1. Music versus standard care

Outcome or subgroup title

No. of studies

No. of participants

Statistical method

Effect size

1 State anxiety STAI) Show forest plot

13

Mean Difference (IV, Random, 95% CI)

Subtotals only

1.1 All studies

13

896

Mean Difference (IV, Random, 95% CI)

‐5.72 [‐7.27, ‐4.17]

1.2 Adequate randomization

4

435

Mean Difference (IV, Random, 95% CI)

‐5.76 [‐7.94, ‐3.57]

2 Anxiety (non‐STAI) Show forest plot

7

Std. Mean Difference (IV, Random, 95% CI)

Subtotals only

2.1 All studies

7

504

Std. Mean Difference (IV, Random, 95% CI)

‐0.60 [‐0.90, ‐0.31]

2.2 Adequate randomization

3

182

Std. Mean Difference (IV, Random, 95% CI)

‐0.41 [‐0.71, ‐0.12]

3 Heart rate Show forest plot

16

Mean Difference (IV, Random, 95% CI)

Subtotals only

3.1 All studies

16

1109

Mean Difference (IV, Random, 95% CI)

‐2.77 [‐4.76, ‐0.78]

3.2 Adequate randomization

6

525

Mean Difference (IV, Random, 95% CI)

‐2.44 [‐5.95, 1.07]

4 Heart rate variability ‐ LF/HF ratio Show forest plot

2

241

Mean Difference (IV, Random, 95% CI)

‐0.37 [‐1.16, 0.42]

5 Systolic blood pressure Show forest plot

14

Mean Difference (IV, Random, 95% CI)

Subtotals only

5.1 All studies

14

809

Mean Difference (IV, Random, 95% CI)

‐4.82 [‐12.13, 2.49]

5.2 Adequate randomization

5

424

Mean Difference (IV, Random, 95% CI)

‐5.80 [‐18.96, 7.36]

6 Diastolic blood pressure Show forest plot

13

Mean Difference (IV, Random, 95% CI)

Subtotals only

6.1 All studies

13

786

Mean Difference (IV, Random, 95% CI)

‐2.37 [‐4.03, ‐0.71]

6.2 Adequate randomization

5

424

Mean Difference (IV, Random, 95% CI)

‐2.74 [‐5.65, 0.17]

7 Respiratory rate Show forest plot

6

375

Mean Difference (IV, Fixed, 95% CI)

0.97 [0.82, 1.11]

Figuras y tablas -
Comparison 1. Music versus standard care