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Música para la reducción de la ansiedad y del estrés en pacientes con cardiopatía coronaria

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References

Referencias de los estudios incluidos en esta revisión

Barnason 1995 {published data only}

Barnason S, Zimmerman L, Nieveen J. The effects of music interventions on anxiety in the patient after coronary artery bypass grafting. Heart & Lung 1995;24(2):124-32. CENTRAL
Zimmerman L, Nieveen J, Barnason S, Schmaderer M. The effects of music interventions on postoperative pain and sleep in coronary artery bypass graft (CABG) patients. Scholarly Inquiry for Nursing Practice 1996;10(2):153-70. CENTRAL

Barnes 1987 {published data only}

Barnes JD. Relationship of Music to Cardiac Rehabilitation Patients' Perceived Exertion during Exercise. Gainesville, Florida: University of Florida College of Nursing, 1987. CENTRAL

Blankfield 1995 {published data only (unpublished sought but not used)}

Blankfield RP, Zyzanski SJ. Taped therapeutic suggestions and taped music as adjuncts in the care of coronary-artery-bypass patients. American Journal of Clinical Hypnosis 1995;37(3):32-42. CENTRAL

Bolwerk 1990 {published data only}

Bolwerk CA. Effects of relaxing music on state anxiety in myocardial infarction patients. Critical Care Nursing Quarterly 1990;13(2):63-72. CENTRAL

Broscious 1999 {published data only}

Broscious SK. Music: an intervention for pain during chest tube removal after open heart surgery. American Journal of Critical Care 1999;8(6):410-15. CENTRAL

Cadigan 2001 {published data only}

Cadigan ME, Caruso NA, Haldeman SM, McNamara ME, Noyes DA, Spadafora MA, et al. The effects of music on cardiac patients on bed rest. Progress in Cardiovascular Nursing 2001;16(1):5-13. CENTRAL

Chan 2007 {published and unpublished data}

Chan MF, Wong OC, Chan HL, Fong MC, Lai SY, Lo CW, et al. Effects of music on patients undergoing a C-clamp procedure after percutaneous coronary interventions. Journal of Advanced Nursing 2006;53(6):669-79. CENTRAL
Chan MF. Effects of music on patients undergoing a C-clamp procedure after percutaneous coronary interventions: A randomized controlled trial. Heart & Lung 2007;36(6):431-9. CENTRAL

Cohen 1999 {unpublished data only}

Cohen RL. The Effect of Music Therapy on the Reduction of Anxiety for Myocardial Infarction Patients. Omaha, Nebraska: Clarkson College, 1999. CENTRAL

Cutshall 2011 {published data only}

Cutshall SA, Anderson PG,  Prinsen SK,  Wentworth LJ,  Olney TJ,  Messner PK,  et al. Effect of the combination of music and nature sounds on pain and anxiety in cardiac surgical patients: a randomized study. Alternative Therapies in Health & Medicine 2011;17(4):16-23. CENTRAL

Davis‐Rollans 1987 {published data only}

Davis-Rollans C, Cunningham SG. Physiologic responses of coronary care patients to selected music. Heart & Lung 1987;16(4):370-8. CENTRAL

Elliott 1994 {published and unpublished data}

Elliott D. The effects of music and muscle-relaxation on patient anxiety in a coronary-care unit. Heart & Lung 1994;23(1):27-35. CENTRAL

Emery 2003 {published and unpublished data}

Emery CF, Hsiao ET, Hill SM, Frid DJ. Short-term effects of exercise and music on cognitive performance among participants in a cardiac rehabilitation program. Heart & Lung 2003;32(6):368-73. CENTRAL

Hermele 2005 {unpublished data only}

Hermele SL. The Effectiveness of a Guided Imagery Intervention for Patients undergoing Coronary Artery Bypass Graft Surgery. New York, New York: Fordham University, 2005. CENTRAL

Jafari 2012 {published data only}

Jafari H, Zeydi AE, Khani S, Esmaeili R, Soleimani A. The effect of preferred music on pain intensity after open heart surgery. Iranian Journal of Nursing and Midwifery Research 2012;17(1):1-8. CENTRAL
Zeydi AM, Jafari H, Kahn S, Esmaieli R, Bardari AG. The effect of music on the vital signs and sp02 of patients. Journal of Mazandaran University of Medical 2011;21(82):73-82. CENTRAL

Leist 2011 {published data only}

Leist CP. A Music Therapy Support Group to Ameliorate Psychological Distress in Adults with Coronary Heart Disease in a Rural Community (Dissertation). East Lansing, Michigan: Michigan State University, 2011. CENTRAL

Mandel 2007a {published data only}

Mandel SE, Hanser SB, Secic M, Davis BA. Effects of music therapy on health-related outcomes in cardiac rehabilitation: a randomized controlled trial. Journal of Music Therapy 2007;44(3):176-97. CENTRAL

Murrock 2002 {published and unpublished data}

Murrock CJ. The effects of music on the rate of perceived exertion and general mood among coronary artery bypass graft patients enrolled in cardiac rehabilitation phase II. Rehabilitation Nursing 2002;27(6):227-31. CENTRAL

Nilsson 2009a {published data only}

Nilsson, U. Soothing music can increase oxytocin levels during bed rest after open-heart surgery: a randomised control trial. Journal of Clinical Nursing 2009;18(15):2153-61. CENTRAL
Nilsson U. The effect of music intervention in stress response to cardiac surgery in a randomized clinical trial. Heart & Lung 2009;38(3):201-7. CENTRAL

Ryu 2011 {published data only}

Ryu MJ, Park JS, Park H. Effect of sleep-inducing music on sleep in persons with percutaneous transluminal coronary angiography in the cardiac care unit. Journal of Clinical Nursing 2011;21(5-6):728-35. CENTRAL

Schou 2008 {unpublished data only}

Schou K. Music Guided Relaxation (Dissertation). Alborg, Denmark: Aalborg University, 2008. CENTRAL

Sendelbach 2006 {published and unpublished data}

Sendelbach SE, Halm M A, Doran KA, Miller EH, Gaillard P. Effects of music therapy on physiological and psychological outcomes for patients undergoing cardiac surgery. Journal of Cardiovascular Nursing 2006;21(3):194-200. CENTRAL

Stein 2010 {published data only}

Stein TR, Olivo EL, Grand SH, Namerow PB, Costa J, Oz MC. A pilot study to assess the effects of a guided imagery audiotape intervention on psychological outcomes in patients undergoing coronary artery bypass graft surgery. Holistic Nursing Practice 2010;24(4):213-22. CENTRAL

Voss 2004 {published data only}

Voss JA, Good M, Yates B, Baun MM, Thompson A, Hertzog M. Sedative music reduces anxiety and pain during chair rest after open-heart surgery. Pain 2004;112(1-2):197-203. CENTRAL
Voss JA. Effect of Sedative Music and Scheduled Rest on Anxiety, Pain, and Myocardial Oxygen Demand during Chair Rest in Adult Postoperative Open-Heart Patients. Nebraska: University of Nebraska Medical Center, 2003. CENTRAL

White 1992 {published and unpublished data}

White JM. Music therapy: an intervention to reduce anxiety in the myocardial infarction patient. Clinical Nurse Specialist 1992;6(2):58-63. CENTRAL

White 1999 {published and unpublished data}

White JM. Effects of relaxing music on cardiac autonomic balance and anxiety after acute myocardial infarction. American Journal of Critical Care 1999;8(4):220-30. CENTRAL
White JM. Effects of Relaxing Music on Cardiac Autonomic Balance and Anxiety following Acute Myocardial Infarction. Milwaukee, US: University of Wisconsin, 1997. CENTRAL

Winters 2005 {unpublished data only}

Winters J. Effects of relaxing music after myocardial infarction. In: Midwest Nursing Research Society 29th Annual Research Conference, Cincinnati OH, 1 - 5th April. Wheat Ridge, Colorado: Midwest Nursing Research Society, 2005. CENTRAL [Grant number: NINR 5R01NR005004-06]

Referencias de los estudios excluidos de esta revisión

Aragon 2002 {published data only}

Aragon A, Farris C, Byers J. The effects of harp music in vascular and thoracic surgical patients. Alternative Therapies 2002;8(5):52-60. CENTRAL

Argstatter 2006 {published and unpublished data}

Argstatter H, Haberbosch W, Bolay HV. Study of the effectiveness of musical stimulation during intracardiac catheterization. Clinical Research in Cardiology 2006;95(10):514-22. CENTRAL
Argstatter H, Haberbosch W, Bolay HV. Study of the effectiveness of musical stimulation during intracardiac catheterization [Untersuchung der Wirksamkeit von musikalischer Stimulation bei Herzkatheteruntersuchungen]. Musik-, Tanz- und Kunsttherapie 2006;17(1):11-20. CENTRAL

Bally 2003 {published data only}

Bally K, Campbell D, Chesnick K, Tranmer JE. Effects of patient-controlled music therapy during coronary angiography on procedural pain and anxiety distress syndrome. Critical Care Nurse 2003;23(2):50-8. CENTRAL

Bonny 1983 {published data only}

Bonny HL. Music listening for intensive coronary care units: a pilot project. Music Therapy 1983;3(1):4-16. CENTRAL

Byers 1997 {published data only}

Byers JF. Efficacy of a Music Intervention on Noise Annoyance and Selected Physiologic Variables in Cardiac Surgery Patients with High and Low Noise Sensitivity. Florida: University of Florida, 1997. CENTRAL

Chang 2011 {published data only}

Chang HK, Peng TC, Wang JH, Lai HL. Psychophysiological responses to sedative music in patients awaiting cardiac catheterization examination: a randomized controlled trial. Journal of Cardiovascular Nursing 2011;25(5):E11-E18. CENTRAL

Claire 1986 {published data only}

Claire JB, Erickson S. Reducing distress in pediatric patients undergoing cardiac catheterization. Children's Health Care 1986;14(3):146-52. CENTRAL

Diamandi 2008 {unpublished data only}

Diamandi V. Music Therapy and Intracardiac Catheterization - Implementation and Comparison of Two Treatments (MSc Thesis). Heidelberg, Germany: Zentrum für Musiktherapieforschung, 2008. CENTRAL

Dritsas 2006 {published data only}

Dritsas A, Pothoulaki M, MacDonald RAR, Flowers P, Cokkinos DV. Effects of music listening on anxiety and mood profile in cardiac patients undergoing exercise testing. European Journal of Cardiovascular Prevention & Rehabilitation 2006;13(Suppl 1):S76. CENTRAL

Escher 1996 {published data only}

Escher J, Dayer E, Anthenien L. Music therapy in early rehabilitation of patients with acute myocardial infarction. In: Pratt RR, Spintge R, editors(s). Music Medicine. Vol. 2. Gilsum, New Hampshire: Barcelona Publishers, 1996:129-141. CENTRAL

Garcia 2003 {published data only}

Garcia H, Rosenbaum MB. The bellows effect of intermittent bundle branch block [El efecto fuelle en los bloqueos intermitentes de rama]. Argentina Journal of Cardiology 2003;71(3):230-5. CENTRAL

Ghetti 2011 {published data only}

Ghetti C. Effect of Music Therapy with Emotional-Approach Coping on Pre-procedural Anxiety in Cardiac Catherization (Dissertation). Lawrence, Kansas: University of Kansas, 2011. CENTRAL

Goertz 2011 {published data only}

Goertz W, Dominick K, Heussen N, Vom Dahl J. Music in the cath lab: who should select it? Clinical Research in Cardiology 2011;100(5):395-402. CENTRAL

Guzzetta 1989 {published and unpublished data}

Guzzetta CE. Effects of relaxation and music therapy on patients in a coronary care unit with presumptive acute myocardial infarction. Heart & Lung 1989;18(6):609-16. CENTRAL

Hamel 2001 {published data only}

Hamel WJ. The effects of music intervention on anxiety in the patient waiting for cardiac catheterization. Intensive & Critical Care Nursing 2001;17(5):279-85. CENTRAL

Harris 1971 {unpublished data only}

Harris SA. An Investigation of the Effects of Sedative Music on Affectively Determined Anxiety Levels of Adult Patients undergoing Cardiac Catheterization. Seattle, Washington: University of Washington, 1971. CENTRAL

Hatem 2006 {published data only}

Hatem, TP, Lira PIC, Mattos SS. The therapeutic effects of music in children following cardiac surgery [Efeito terapeutico da musica em criancas em pos-operatorio de cirurgia cardiaca]. Jornal de Pediatria 2006;82(3):186-92. CENTRAL

Ibhler 2011 {published data only}

Iblher P, Mahler H, Heinze H, Huppe M, Klotz K-F, Eichler W. Does music harm patients after cardiac surgery? A randomized, controlled study. Applied Cardiopulmonary Pathophysiology 2011;15(1):14-23. CENTRAL

Jiang 2008 {published data only}

Jiang L-Y. Psychological intervention to anxiety and depression in geriatric patients with chronic heart failure. Chinese Mental Health Journal 2008;22(11):829-32. CENTRAL

MacNay 1995 {published data only}

MacNay SK. The influence of preferred music on the perceived exertion, mood, and time estimation scores of patients participating in a cardiac rehabilitation exercise program. Music Therapy Perspectives 1995;13(2):91-6. CENTRAL

Mandel 2007b {unpublished data only}

Mandel SE, Hanser SB, Ryan, LJ. Effects of a music-assisted relaxation and imagery compact disc recording on health-related outcomes in cardiac rehabilitation. Music Therapy Perspectives 2010;28(1):11-21. CENTRAL
Mandel SE. Effects of Music-assisted Relaxation and Imagery (MARI) on Health-related Outcomes in Cardiac Rehabilitation: Follow-up Study. Cincinnati, Ohio: Union Institute and University, 2007. CENTRAL [1400957851]

Micci 1984 {published data only}

Micci, NO. The use of music therapy with pediatric patients undergoing cardiac catheterization. The Arts In Psychotherapy 1984;11(4):261-6. CENTRAL

Moradipanah 2009 {published data only}

Moradipanah F, Mohammadi E, Mohammadil AZ. Effect of music on anxiety, stress, and depression levels in patients undergoing coronary angiography. Eastern Mediterranean Health Journal 2009;15(3):639-47. CENTRAL

Nilsson 2009b {published data only}

Nilsson U, Lindell L, Eriksson A, Kellerth T. The effect of music intervention in relation to gender during coronary angiographic procedures: a randomized clinical trial. European Journal of Cardiovascular Nursing 2009;8(3):200-6. CENTRAL

Nilsson 2012 {published data only}

Nilsson, U. Effectiveness of music interventions for women with high anxiety during coronary angiographic procedures: a randomized controlled. European Journal of Cardiovascular Nursing 2012;11(2):150-3. CENTRAL

Okada 2009 {published data only}

Okada K, Kurita A, Takase B, Otsuka T, Kodani A, Kusama Y, et al. Effects of music therapy on autonomic nervous system activity, incidence of heart failure events, and plasma cytokine and catecholamine levels in elderly patients with cerebrovascular disease and dementia. International Heart Journal 2009;50(1):P95-110. CENTRAL

Reisinger 1995 {unpublished data only}

Reisinger MA. Effects of Music Therapy on Anxiolytic Drug Reduction in Clients Undergoing Cardiac Catheterization. Connecticut: Southern Connecticut State University, 1995. CENTRAL

Richardson 2004 {published data only}

Richardson RS. The Psychological Effects of Anxiolytic Music/Imagery on Anxiety and Depression following Cardiac Surgery. Minneapolis, Minnesota: Walden University, 2004. CENTRAL

Robichaud 1999 {published and unpublished data}

Robichaud-Ekstrand S. The influence of music on coronary diseases (CHC) patients waiting for cardiac catherization. Journal of Cardiopulmonary Rehabilitation 1999;19(5):304. CENTRAL
Robichaud-Ekstrand S. The influence of music on coronary heart disease patients' relaxation levels [L’influence de la musique sur le niveau de relaxation des patients cardiaques]. Revue Francophone de Clinique Comportementale et Cognitive 2004;9(2):20-8. CENTRAL

Schwartz 2002 {unpublished data only}

Schwartz FJ, Ramey, GA, Pawli S. Benefits of headphone music on the ICU postoperative recovery of CABG patients. In: Paper presented at the Conference of the International Society of Music in Medicine, Hamburg, Germany. International Society of Music in Medicine, 2002. CENTRAL

Schwartz 2009 {published data only}

Schwartz FJ. A pilot study of participants in postoperative cardiac surgery. Music and Medicine 2009;1(1):70-4. CENTRAL

Short 2011 {published data only}

Short A, Gibb, H, Holmes C. Integrating words, images, and text in BMGIM: finding connections through semiotic intertextuality. Nordic Journal of Music Therapy 2011;20(1):3-21. CENTRAL

Slyfield 1992 {published data only}

Slyfield CM. The Effect of Music Therapy on Patient's Pain, Blood Pressure, and Heart Rate after Coronary Artery Bypass Graft Surgery. Gainesville, Florida: University of Florida College of Nursing, 1992. CENTRAL

Taylor‐Piliae 2002 {published data only}

Taylor-Piliae RE, Chair SY. The effect of nursing interventions utilizing music thearpy or sensory information on Chinese patients' anxiety prior to cardiac catheterization: A pilot study. European Journal of Cardiovascular Nursing 2002;1(3):203-11. CENTRAL

Thorgaard 2004 {published data only}

Thorgaard B, Henriksen BB, Pedersbaek G, Thomsen I. Specially selected music in the cardiac laboratory-an important tool for improvement of the wellbeing of patients. European Journal of Cardiovascular Nursing 2004;3(1):21-6. CENTRAL

Twiss 2003 {published and unpublished data}

Twiss E, Seaver J, McCaffrey R. The effect of music listening on older adults undergoing cardiovascular surgery. Nursing in Critical Care 2006;11(5):224-31. CENTRAL
Twiss EJ. The Effect of Music as a Nursing Intervention to Reduce Anxiety in Coronary Bypass and Valve Replacement Surgery Patients. Boca Raton, Florida: Florida Atlantic University, 2003. CENTRAL

Vanderboom 2012 {published data only}

Vanderboom TL, Arcari PM, Duffy ME, Somarouthu B, Rabinov JD, Yoo AJ, et al. Effects of a music intervention on patients undergoing cerebralangiography: a pilot study.. Journal of Neurointerventional Surgery 2012;4(3):229-33. CENTRAL

Watanabe 2011 {published data only}

Watanabe DM. The Effect of Music on Anxiety of Patients Undergoing Coronary Angiography (Thesis). São Paulo, Brazil: University of São Paulo, 2011. CENTRAL

Weeks 2011 {published data only}

Weeks BP, Nilsson U. Music interventions in patients during coronary angiographic procedures: a randomized controlled study of the effect on patients' anxiety and well-being. European Journal of Cardiovascular Nursing 2011;10(2):88-93. CENTRAL

Zimmerman 1988 {published and unpublished data}

Zimmerman LM. Effects of music on patient anxiety in coronary care units. Heart & Lung 1988;17(5):560-6. CENTRAL

Arslan 2008

Arslan S, Özer N, Özyurt F. Effect of music on preoperative anxiety in men undergoing urogenital surgery. Australian Journal of Advanced Nursing 2008;26(2):46-54. [DN: 198783205186632]

Bradt 2009b

Bradt J. Music for breathing regulation. In: Loewy J, editors(s). Music, the Breath & Health: Advances in Integrative Music Therapy. New York: Louis Armstrong Center for Music & Medicine, 2009.

Bradt 2010a

Bradt J, Dileo C. Music therapy for end-of-life care. Cochrane Database of Systematic Reviews 2010, Issue 1. Art. No: CD007169. [DOI: 10.1002/14651858.CD007169.pub2]

Bradt 2010b

Bradt J, Dileo C, Grocke D. Music interventions for mechanically ventilated patients. Cochrane Database of Systematic Reviews 2010, Issue 12. Art. No: CD006902. [DOI: 10.1002/14651858.CD006902.pub2]

Bradt 2011

Bradt J, Dileo C, Grocke D, Magill L. Music interventions for improving psychological and physical outcomes in cancer patients. Cochrane Database of Systematic Reviews 2011, Issue 8. Art. No: CD006911. [DOI: 10.1002/14651858.CD006911.pub2]

Bradt 2012

Bradt J. Randomized controlled trials in music therapy: Guidelines for design and implementation . Journal of Music Therapy 2012;49(2):120-49.

Bradt 2013

Bradt J, Dileo C, Shim M. Music interventions for preoperative anxiety. Cochrane Database of Systematic Reviews 2013, Issue 6. Art. No: CD006908. [DOI: 10.1002/14651858.CD006908.pub2]

Chlan 1998

Chlan L. Effectiveness of a music therapy intervention on relaxation and anxiety for patients receiving ventilatory assistance. Heart & Lung 1998;27(3):169-76.

Chockalingam 1999

Chockalingam A, Balaguer-Vintro I (editors). Impending Global Pandemic of Cardiovascular Diseases: Challenges and Opportunities for the Prevention and Control of Cardiovascular Diseases in Developing Countries and Economies in Transition. Barcelona: Prous Science, 1999.

Cohen 1988

Cohen J. Statistical Power Analysis for the Behavioral Sciences. 2nd edition. Hillsdale, New Jersey: Lawrence Earlbaum Associates, 1988.

Dileo 1999

Dileo C. Music Therapy & Medicine. Silver Spring, Maryland: American Music Therapy Assocation, 1999.

Dileo 2005

Dileo C, Bradt J. Medical Music Therapy: a meta-analysis & agenda for future research. Cherry Hill, New Jersey: Jeffrey Books, 2005.

Dileo 2007

Dileo C, Bradt J. Music Therapy: applications to stress management. In: Lehrer P, Woolfolk R, editors(s). Principles and Practice of Stress Management. 3rd edition. New York, New York: Guilford Press, 2007.

Gillen 2008

Gillen E, Biley F, Allen D. Effects of music listening on adult patients’ pre-procedural state anxiety in hospital. International Journal of Evidence-Based Healthcare 2008;6(1):24-49. [2008-02471-003]

Higgins 2003

Higgins JPT, Thompson SG, Deeks JJ, Altman DG. Measuring inconsistency in meta-analyses. BMJ 2003;327(7414):557-60.

Higgins 2011

Higgins JPT, Green S (editors). Cochrane Handbook for Systematic Reviews of Interventions 5.1.0 [updated March 2011]. The Cochrane Collaboration, 2011. Available from www.cochrane-handbook.org.

Lee 2005

Lee O, Chung Y, Chan M, Chan W. Music and its effect on the physiological responses and anxiety levels of patients receiving mechanical ventilation: a pilot study. Journal of Clinical Nursing 2005;14(5):609-20.

Malan 1992

Malan SS. Psychological adjustment following MI: current views and nursing implications. Journal of Cardiovascular Nursing 1992;6(4):57-70.

McAuley 2000

McAuley L, Pham B, Tugwell P, Moher D. Does the inclusion of grey literature influence estimates of intervention effectiveness reported in meta-analyses? Lancet 2000;356(9237):1228-31.

Mitchell 2003

Mitchell M. Patient anxiety and modern elective surgery: A literature review. Journal of Clinical Nursing 2003;12(6):806-15.

Nilsson 2008

Nilsson U. The anxiety and pain-reducing effects of music interventions: a systematic review. AORN Journal 2008;87(4):780–807.

Revman 2012 [Computer program]

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Robb 2011

Robb SL, Burns DS, Carpenter JS. Reporting guidelines for music-based interventions. Music and Medicine 2011;3(4):271-9.

Standley 1986

Standley JM. Music research in medical/dental treatment: a meta-analysis and clinical implications. Journal of Music Therapy 1986;23(2):56-122.

Standley 2000

Standley JM. Music research in medical treatment. In: Effectiveness of music therapy procedures: Documentation of research and clinical practice. 3rd edition. Silver Spring: American Music Therapy Association, 2000:1-64.

Vollert 2002

Vollert JO, Stork T, Rose M, Rocker L, Klapp BF, Heller G, et al. Reception of music in patients with systemic arterial hypertension and coronary artery disease: Endocrine changes, hemodynamics and actual mood. Perfusion 2002;15:142-52.

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Zimmerman 1996

Zimmerman L, Nieveen J, Barnason S, Schmaderer M. The effects of music interventions on postoperative pain and sleep in coronary artery bypass graft (CABG) patients. Scholarly Inquiry for Nursing Practice 1996;10(2):153-70.

Referencias de otras versiones publicadas de esta revisión

Bradt 2009a

Bradt J, Dileo C. Music for stress and anxiety reduction in coronary heart disease patients. Cochrane Database of Systematic Reviews 2009, Issue 2. Art. No: CD006577. [DOI: 10.1002/14651858.CD006577.pub2]

Characteristics of studies

Characteristics of included studies [ordered by study ID]

Jump to:

Barnason 1995

Study characteristics

Methods

RCT
3‐arm parallel group design

Participants

Adult patients after CABG
Total N randomized: not reported

N randomized to music group: not reported
N randomized to control group: not reported
N randomized to music video (visual imaging): not reported (not included in this review)

N analyzed in music group: 33

N analyzed in control group: 34

N analyzed in music video group: 29 (not included in this review)
Sex: 31 (32%) women, 65 (68%) men
Age: 67 (SD 9.9)

Ethnicity: 100% white
Setting: inpatient

Country: USA

Interventions

Three study groups:

1. Music group: listening to music through earphones

2. Control group: scheduled rest

Music provided: (a) Country Western instrumental, (b) Fresh Aire by Steamroller, (c) Winter into Spring by Winston, (d) Prelude and Comfort Zone by Halpern

Number of sessions: 2
Length of session: 30 minutes
Categorized as music medicine

Outcomes

Anxiety (STAI): posttest scores postop day 2, posttest scores postop day 3
Anxiety (NRS): posttest scores postop day 2, posttest scores postop day 3
Mood (NRS): posttest scores postop day 2, posttest scores postop day 3
Pain (VRS): posttest scores postop day 2, posttestscores postop day 3
Pain (MPQ): posttest scores postop day 2, posttest scores postop day 3
Quality of sleep (Richards‐Campbell Sleep Questionnaire, average of 5 subscales): morning of postop day 3

Unable to use:
HR, SBP, DBP: insufficient data

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: " The researcher randomly assigned subjects to one of the three intervention groups by drawing lots." (p.126)

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes.

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

It is unclear whether outcome assessors were blinded

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Partially supported by a grant from the American Heart Association‐Nebraska Affiliate

Barnes 1987

Study characteristics

Methods

Quasi‐RCT

Cross‐over trial

Participants

10 adults in cardiac rehabilitation program

Total N randomized: 10

N randomized to music first sequence: 5

N randomized to control first sequence: 5

N analyzed music first sequence: 5

N analyzed control first sequence: 5

Sex: 4 (40%) women, 6 (60%) men
Age: 56.4

Ethnicity: not reported
Setting: outpatient rehab

Country: USA

Interventions

Two conditions:

1. Music condition: exercise on bicycle ergometer while listening to prerecorded music

2. Control condition: exercise on bicycle ergometer without music

Music provided: participants selected from Jazz: selections from Fun and Games (C. Mangione); Classical: Brandengurg concertos Nos 2 and 6 (JS Bach); Country Western: selections from Greatest Hits (Kenny Rogers); Popular: selections from Unforgettable (Nat King Cole) or The best of the Supremes (The Supremes).

Number of sessions: 3 in each condition
Length of session: 10 minutes
Categorized as music medicine

Outcomes

Perceived exertion (Borg Scale of Rating of Perceived Exertion)

Unable to use:

HR, SBP: insufficient data reporting

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

High risk

Quote: "The participant was alternately assigned to either group A or B" (p.35).

Allocation concealment (selection bias)

High risk

Allocation concealment was not possible because of alternate assignment

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measure was used for subjective outcome.

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

Not included in this review

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No subject loss

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Unfunded research

Blankfield 1995

Study characteristics

Methods

Quasi‐randomized trial

3‐arm parallel group design

Participants

Adults undergoing CABG

Total N randomized: 66

N randomized to music group: 33

N randomized to control group: 33

N analyzed in music group: 32

N analyzed in control group: 29

Mean age: 61.93 (SD 6.61) years

Sex: 18 (28%) women, 48 (72%) men

Ethnicity: 57 (94%) white

Setting: 2 inpatient settings in hospitals

Country: USA

Interventions

Two study groups:

1. Music group: participants listened to audiocassette tapes intraoperatively and postoperatively via headphones

2. Control group: listened to blank cassette tape during surgery to keep surgeon blinded with no postoperative

Music provided: Dreamflight II by Herb Ernst (no further info about the music was provided in the study report)

Number of sessions: Once during surgery and then twice daily for duration of hospitalization

Length of sessions: Duration of surgery and then 30 minutes

Categorized as music medicine

Outcomes

Postoperative stay (days): mean (SD)

Surgical intensive care unit stay (days): mean (SD)

Morphine and morphine equivalents: mean (SD)

Meperidine: mean (SD)

Depression: not included in this review since no standardized measurement tool was used

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Unclear risk

Randomization method is not reported

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Blinding of participants was not possible. Use of blank tapes in the control group blinded the surgeon and medical staff

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Subjective outcomes are not included in this review since no standardized measures were used

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

It is unclear whether outcome assessors were blinded

Incomplete outcome data (attrition bias)
All outcomes

High risk

Attrition rate is 7.6% (n = 5). 3 participants were excluded because their hospitalization stay extended beyond the 2‐week study duration and the authors considered them outliers. 2 participants died in the hospital and their data were excluded. The reasons for exclusion are questionable and therefore the study was considered at high risk for attrition bias.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by a grant from the American Academy of Family Physicians along with financial assistance from Fairview General Hospital.

Bolwerk 1990

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults with medical diagnosis of myocardial infarction (MI) confirmed by enzyme and ECG changes

Total N randomized: 40
N randomized to music group: 20
N randomized to control group: 20

N analyzed in music group: 17

N analyzed in control group:18
Sex: 8 (32%) women, 17 (68%) men

Ethnicity: not reported
Mean age: 58.65 years
Setting: Inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to relaxing researcher‐selected music

2. Control group standard care
Music provided: compilation tape of (a) Largo by Bach, (b) Largo by Beethoven, (c) Prelude to the afternoon of a Faun by Debussy
Number of sessions: 3 sessions on 3 consecutive days
Length of session: 22 minutes
Categorized as music medicine

Outcomes

Anxiety (STAI): posttest scores after the final session

Notes

Some participants stated that they didn't care for the music; 2 would have liked different music

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Control was enhanced in the study by random assignment of subjects to two groups‐experimental and control‐using a table of random numbers" (p.67)

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of the participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

No objective outcomes were used.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 5 (12.5%)

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

No report of funding

Broscious 1999

Study characteristics

Methods

RCT
3‐arm parallel group design

Participants

Adult patients during chest tube removal (CTR)
Total N randomized: 156

N randomized to music group: 70
N randomized to control group: 50
N randomized white noise group: 36 (not included in this review)

N analyzed in music group: 62

N analyzed in control group: 44

N analyzed in white noise group: 36 (not included in this review)
Sex: 35 (29%) women, 85 (71%) men
Mean age: 66.35 (SD 9.7) years

Ethnicity: 97% white
Setting: Inpatient

Country: USA

Interventions

Three study groups:

1. Music group: listening to self‐selected music through earphones

2. Control group: standard care

3. White noise group; not used in this review
Music provided: (a) Big Band, (b) Blues, (c) Classical, (d) Country & Western, (e) Easy Listening, (f) Gospel, (g) Movie musicals, (h) New Age, (i) Patriotic, (j) Rock
Number of sessions: 1
Length of session: 10 minutes before procedure and throughout duration of procedure
Categorized as music medicine

Outcomes

Pain (NRS): posttest scores immediately following CTR
HR, SBP, DBP: posttest scores immediately following CTR

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: " Subjects were randomly assigned to groups by the primary investigator or research assistant who blindly drew a chip from a box containing 3 chips. The chips were labelled "C" for control group, "N" for noise group, and "M" for music group." (p.411)

Allocation concealment (selection bias)

Low risk

Quote: " Subjects were randomly assigned to groups by the primary investigator or research assistant who blindly drew a chip from a box containing 3 chips."

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Blinding of participants was not possible. Personnel were blinded:"the physician assistant or cardiovascular technician removing the chest tubes did not know which tape the patient was listening to."

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes.

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

It is unclear whether outcome assessors were blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 14 (11.6%). Reason for withdrawal is not reported.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by a grant from the Epsilon Chi Chapter of Sigma Theta Tau International.

Cadigan 2001

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adult cardiac patients with either intravascular sheets or an intra‐aortic balloon pump (IABP) in place.
Total N randomized: 140

N randomized to music group: 75
N randomized to control group: 65

N analyzed in music group: 75

N analyzed in control group: 65
Sex: 40 (29%) women, 100 (71%) men
Mean age: 62.25 (SD 12.7) years

Ethnicity: not reported
Setting: Inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music through headphones

2. Control group: standard care
Music provided: a mixture of symphonic music and nature sounds
Number of sessions: 1
Length of session: 30 min
Categorized as music medicine

Outcomes

Psychological distress (POMS‐Short Form): posttest scores
HR, SBP, DBP: posttest scores
Pain (VAS): posttest scores
Peripheral skin temperature:posttest scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Patients were randomized to either the treatment or control group by means of a table of random numbers."(p.8)

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants were not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes.

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

It is unclear whether outcome assessors were blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 10 (7%). Data on all randomized participants were obtained for physiological data but there was a loss of 10 subjects for the POMS data. No reason was reported.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by Eta Tau Chapter at Salem State College and Alpha Chi Chapter of Sigma Theta Tau International

Chan 2007

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults with diagnosis of MI, acute coronary syndrome (ACS), or coronary artery disease (CAD), undergoing C‐clamp procedure after percutaneous coronary intervention
Total N randomized: 70

N randomized to music group: 35
N randomized to control group: 35

N analyzed in music group: 31

N analyzed in control group: 35
Mean age: no means given

Sex: 18 (27%) women, 48 (73%) men
Ethnicity: not reported
Setting: inpatient

Country: Hong Kong

Interventions

Two study groups:

1. Music group: listening to self‐selected music during procedure through earphones

2. Control group: standard care
Music provided: Western and Chinese slow, soft music without lyrics
Number of sessions: 1
Length of session: approx. 45 mins
Categorized as music medicine

Outcomes

HR, RR, SBP, DBP, oxygen saturation (O₂‐sat): measured every 15 minutes; measurement at 45 minutes used for this review
Pain (NRS): posttest

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: " Participants were included in the study and, using a random digit generated by research randomizer, they were randomized into the music group or control group."(p.673)

Allocation concealment (selection bias)

High risk

Quote: "No method for concealment of allocation was used" (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding was not possible for the participants. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes.

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Quote:"The intervention and data collection were carried out by the same researcher"

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 4 (5.7%). 4 participants refused to continue.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

No reported funding

Cohen 1999

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults with MI
Total N randomized: 40

N randomized to music group: 20

N randomized to control group: 20

N analyzed in music group: 20

N analyzed in control group: 20
Mean age: 67.8 (SD 13.9) years

Sex: 17 (43%) women, 23 (57%) men

Ethnicity: 38 (95%) white, 2 (5%) other
Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to self‐selected music

2. Control group: standard care
Music provided: (a) New Age, (b) music from decades past, (c) contemporary solo instrumentalists, (d) religious, (e) classical
Number of sessions: 1
Length of session: 30 min
Categorized as music medicine

Outcomes

Anxiety (STAI): change scores
HR, mean arterial pressure (MAP), SBP, DBP: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Subjects were then randomly assigned to the experimental or control groups by the researcher who drew from a box containing 20 slips of paper with "music" and 20 slips of paper with "rest" written on them" (p.66)

Allocation concealment (selection bias)

Low risk

Allocation concealment was ensured by draw of lots method

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participant was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No loss of subjects

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Unfunded research study

Cutshall 2011

Study characteristics

Methods

RCT

2‐arm parallel group

Participants

Adults undergoing first‐time CABG or cardiac valve surgery

Total N randomized: 173

N randomized to music group: 86
N randomized to control group: 87
N analyzed in music group: 49
N analyzed in control group: 51
Mean age: 62.9 (SD 12.65) years

Sex: 23 (23%) women, 77 (77%) men
Ethnicity: not reported
Setting: inpatient
Country: USA

Interventions

Two study groups:

1. Music group: listening to prerecorded music combined with nature sounds

2. Control group: 20 minutes of bed rest

Music provided: participants were given the choice of four selections of music and nature sounds

Number of sessions: 6

Duration of each session: 20 minutes

Categorized as music medicine

Outcomes

Pain (VAS): change scores

Anxiety (VAS): change scores

Satisfaction (VAS): change scores

Relaxation (VAS): change scores

HR, SBP, DBP: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Stratification for randomization was based on a pain level of 4 or less (the institutional pain level goal) or greater than 4. The randomization was blocked to ensure balanced allocation throughout the course of the study. There were 25 randomized blocks of 4 patients and 25 randomized blocks of 2 patients. Each set of 50 blocks was changed into a random order as well." (p.17)

Allocation concealment (selection bias)

Low risk

Quote: "The use of cards in sealed envelopes prevented the study coordinator who was enrolling patients from knowing to which group each patient was randomly assigned." (p.17)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Quote: "The study coordinator read to the patient a printed script and obtained measurements of pain, anxiety, satisfaction, and relaxation orally with a visual analog scale (VAS)." (p.18)

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Study coordinator obtained the measurements

Incomplete outcome data (attrition bias)
All outcomes

High risk

Attrition rate = 73 (42%). Reasons for withdrawal were not reported. The report states that recruitment continued until 100 participants had completed all six sessions

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

The prerecorded music used in this study was donated by Ambience Medical and the study was funded in part by Richer J and Sharon M Mrocek.

Davis‐Rollans 1987

Study characteristics

Methods

RCT
Cross‐over trial

Participants

Adults in coronary care unit (CCU) with diagnosis of MI or other cardiac condition
Total N randomized: not reported

Total N analyzed: 24

Mean age: 62 years
Sex: 5 (21%) women, 19 (79%) men

Ethnicity: not reported
Setting: Inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music through headphones

2. Congrol group: background CCU noise as heard through silent headphones
Music provided: compilation tape of Symphony No. 6, first movement (Beethoven), Eine Kleine Nachtmusik, first and fourth movements (Mozart), and The Moldau (Smetana)
Number of sessions: 1
Length of session: 37 min
Categorized as music medicine

Outcomes

HR: during session
Number of arrhythmias

Mood change: not used in this review due to insufficient data
RR: not used in this review due to insufficient data

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "With the use of Latin square design, the three musical selections (A, B, C) were randomly assigned to be presented to the patients in one of three different orders: A, B, C; C, A, B: and B, C, A." (p.372)

Allocation concealment (selection bias)

Unclear risk

Not reported

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

Low risk

Data for one subjective outcome were obtained but not used in this review because insufficient

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

Outcome assessor was blinded. Control group participants wore a headset

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

No report of funding

Elliott 1994

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults with unstable angina pectoris or acute MI
Total N randomized: unclear

N randomized to music group: unclear
N randomized to control group: unclear
N randomized to muscle relaxation group: unclear (not included in this review)

N analyzed in music group:19

N analyzed in control group:19

N analyzed in muscle relaxation group: 18 (not included in this review)

Mean age: 60.6 years
Sex: 16 (29%) women, 40 (71%) men for total sample (including muscle relaxation group)

Ethnicity: all participants were Australian but no further information is provided
Setting: Inpatient

Country: Australia

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music via earphones

2. Control group: standard care.
Music provided: light classical music relaxation tape designed by Bonny.
Number of sessions: 2 or 3
Length of session: 30 min.
Categorized as music medicine

Outcomes

Anxiety (STAI): posttest
Anxiety (LAAS): posttest
Depression (HADS D‐subscale): posttestHR, SBP, DBP: not used in this review because for many participants measurements were only taken 2 ‐ 3 hrs after the intervention.

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Table of random numbers (personal communication with author)

Allocation concealment (selection bias)

Low risk

Serially numbered opaque envelopes (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported in part by a Cumberland College Research Grant

Emery 2003

Study characteristics

Methods

RCT
Cross‐over trial

Participants

Adults with CAD enrolled in standard university‐based 12‐week Phase II CR program.
Total N randomized: 33

Total N analyzed: 30

Mean age: 62.6 (SD 10.5) years
Sex: 14 (42%) women, 19 (58%) men
Ethnicity: 27 (93%) white, 2 (7%) African‐American
Setting: outpatient university‐based CR program

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music through earphones

2. Congrol group: listening to a blank tape through earphones
Music used: Four Seasons (Vivaldi)
Number of sessions: 1 music listening and 1 blank tape
Length of session: as long as possible for the participant
Categorized as music medicine

Outcomes

Anxiety (POMS‐SF, tension subscale): posttest
Depression (POMS‐SF, depression subscale): posttest
HR, SBP, DBP: peak exercise
Cognitive function (verbal fluency test): posttest
Exercise time (mins)

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

List of random numbers (personal communication with author)

Allocation concealment (selection bias)

Low risk

Recruiters were concealed to random sequence (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

Outcome assessors were blinded (personal communication with author)

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 3 (9%)

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported in part by a grant from the National Heart, Lung, and Blood Institute (HL45290).

Hermele 2005

Study characteristics

Methods

RCT
3‐arm parallel group design

Participants

Adult patients during CABG
Total N randomized: 117 consented but only 63 were randomized (47 did not complete baseline and 7 did not have CABG)

N randomized to music group: 21 assumed (not reported)

N randomized to control group: 21 assumed (not reported)

N randomized to guided imagery group: 21 assumed (not reported)

N analyzed in music group: 17
N analyzed in control group: 19
N analyzed in guided imagery: 20 (not included in this review)
Mean age: none reported

Sex: 17 (30%) women, 39 (70%) men for total sample (including guided imagery group)
Ethnicity: 51 (91.1%) white, 1 (1.8%) African‐American, 3 (5.4%) Hispanic, 1 (1.8%) Asian
Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music

2. Control group: standard care
Music provided: no specifications
Number of sessions: daily for one week prior to CABG, during the procedure
Length of session: determined by the participant
Categorized as music medicine

Outcomes

Anxiety (HADS, anxiety scale): 1 week postop
Depression (HADS, depression scale): 1 week postoperatively
Mood disturbance (POMS): 1 week postoperatively

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Drawing of lots (personal communication with author)

Allocation concealment (selection bias)

High risk

None used (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

No objective outcomes were included in this study

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: N = 6 (9.5%). 6 participants did not complete posttest.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Unfunded research study

Jafari 2012

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults who had undergone first‐time CABG and valvular surgery

Total N randomized: 60

N randomized to music group: 30

N randomized to control group: 30

N analyzed in music group: 30

N analyzed in control group: 30

Mean age: 57.83 (SD 10.62) years

Sex: 30 (50%) women, 30 (50%) men

Ethnicity: not reported

Setting: Inpatient

Country: Iran

Interventions

Two study groups:

1. Music group: participants listened to one pre‐recorded selection of music

2. Control group: participants were provided headphones with no music

Music provided: participants selected their music after listening to one‐minute previews of each music option. Relaxation music pieces were selected with consideration for the cultural conditions of the society and the type of recommended music in the literature, i.e. with a tempo of 60 ‐ 80 beats (or even less) per minute

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Pain (0 ‐ 10 NRS): immediately postintervention (used in this review), 30 min after intervention, 1 hr after intervention

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Drawing of lots (personal communication with author)

Allocation concealment (selection bias)

Low risk

Drawing of lots concealed allocation

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Blinding of participants was not possible. Personnel were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self reports were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: 0 (0%) Quote: "All randomized patients were included in the analysis and there were no drop outs" (p.3)

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Funding for this study was provided by the Research Deputy and Student Research Committee of Mazandaran University of Medical Sciences

Leist 2011

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults who had a heart attack or a heart condition or both, including coronary heart disease, angina, valve disease, or arrhythmia, and had a heart procedure or surgery, including CABG, surgery or percutaneous transluminal coronary angioplasty (PTCA) with stenting, a valve replacement, or placement of a pacemaker or implantable cardioverter defibrillator (ICD)

Total N randomized: 10

N randomized in music therapy group: 5

N randomized on control group: 5

N analyzed in music therapy group: 4

N analyzed in control group: 5

Mean age: 68 years

Sex: 5 (56%) women, 4 (44%) men

Ethnicity: 39 (100%) white (Italian)

Setting: a group meeting room in a neutral non‐medical setting

Country: USA

Interventions

Two study groups:

1. Music therapy group: each session had an opening, music‐assisted relaxation (MAR), active music therapy, and a closing.

2. Control group: standard care (wait‐list control)

Music provided: the active music‐making component included song lyric analysis, expressive singing, songwriting, and instrumental improvisation. Instrumental music selections were drawn from the classical and new age genres. The selections had tempi of 60 to 70 beats per minute, were 3 to 6 minutes in length, and had consistent tempo, dynamics, and instrumentation. The selections gradually increased in length and complexity as the sessions progressed and then ended with a shorter, less complex selection for the last session. The relaxation scripts included autogenic and image‐based inductions

Number of sessions: 6 weekly sessions over 6 weeks

Length of sessions: not reported

Categorized as music therapy

Outcomes

Stress (Hassles Scale): posttest scores

Anxiety (POMS): posttest scores

Depression (POMS): posttest scores

Mood disturbance (POMS): change scores

Anger‐Hostility (POMS): posttest scores

Vigor‐Activity (POMS): posttest scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Each person was given a number between 1 and 10. Using a random number generator (Haahr, n.d.), the investigator assigned each person to one of the groups. A coin toss determined that the first five numbers would comprise the experimental group and the last five numbers would comprise the comparison group." (p.51)

Allocation concealment (selection bias)

Low risk

Allocation was concealed through both the drawing of lots and flip of a coin

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Participants and personnel were unable to be blinded due to the interactive nature of the music therapy session

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

This study did not address objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 1 (10%) One participant attended only one treatment session.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Unfunded research study

Mandel 2007a

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults in phase II cardiac rehabilitation program
Total N randomized: 103

Randomized to music group: 55
Randomized to control group: 48

N analyzed in music therapy group: 35
N analyzed in control group: 33

Age: music therapy group: median age 65; control group: median age 64
Sex: 34 (50%) women, 34 (50%) men
Ethnicity: not reported
Setting: Rehabilitation setting

Country: USA

Interventions

Two study groups:

1. Music therapy group: standard care + one music therapy session every other week with a min of 4 music therapy session (max. 6 sessions)

2. Control group: standard care alone
Music provided: live vocal music to stimulate discussion and offer verbal support, live music making with assorted instruments, song lyric writing, song lyric interpretation, sharing musical recordings, music‐assisted relaxation and imagery.
Number of sessions: min of 4 music therapy sessions, max. 6
Duration of session: 90 mins.
Categorized as music therapy

Outcomes

Trait anxiety (STAI‐T): posttest scores
Depression (CES‐D): posttest scores
Distress (BSI): posttest scores
General health (MOS SF‐36): posttest scores
Bodily pain (MOS SF‐36): posttest scores
SBP, DBP: posttest scores

Notes

Follow‐up measures were taken at 1 month, 4 months, and 10 months. These were not included in this review.

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Patients' research study numbers (last 4 digits of their social security number) were recorded by the research assistant. A random‐number table was utilized by the hospital's research department staff to assign participants to condition one or two, based on their study number" (p.180).

Allocation concealment (selection bias)

Low risk

Central randomization was used

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

In music therapy trials, participants and the music therapist cannot be blinding because of the active participation in music making

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

High risk

Attrition: n = 35 (34%). Reasons for participant loss: illness, non‐compliance, music therapist's leave of absence

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by a grant from the Kulas Foundation, Cleveland OH

Murrock 2002

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults enrolled in cardiac rehab Phase II program after having undergone their 1st CABG
Total N randomized: 33

N randomized to music group: unclear

N randomized to control group: unclear

N analyzed in music group: 15
N analyzed in control group:15
Mean age: 70.43 years

Sex: 13 (43%) women, 17 (57%) men
Ethnicity: not reported
Setting: rehab setting

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music during exercise session

2. Control group: standard care
Music provided: Hooked on Classics by Louis Clark and the Royal Philharmonic Orchestra (upbeat tempo of 128 to 160 bpm)
Number of sessions: 10 sessions
Length of session: 40 min
Categorized as music medicine

Outcomes

Mood (Rejeski's Feeling scale; +5 to ‐5): posttest (during 10th session)
Rate of perceived exertion (Borg scale; 12‐point scale): posttest (during 10th session)

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Drawing of lots (personal communication with author)

Allocation concealment (selection bias)

Low risk

Drawing of lots prevented knowledge of randomization sequence (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report was used for subjective measures

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

No objective outcomes included in this study

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition: n = 3 (9%). No reason for participant loss is given

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Unclear risk

Unfunded research study

Nilsson 2009a

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults who underwent CABG or aortic valve replacement

Total N randomized: 60

N randomized to music group: 30

N randomized to control group: 30

N analyzed in music group: 28

N analyzed in control group: 30

Mean age: 62 (SD 9.5) years

Sex: 13 (22%) women, 47 (78%) men

Ethnicity: not reported

Setting: inpatient

Country: Sweden

Interventions

Two study groups:

1. Music group: participants listened to pre‐recorded music through a music pillow on their first postoperative day

2. Control group: provided a space for rest with reduced environmental stimuli

Music provided: Quote from study report (p. 203): "The music was soft and relaxing, 60 to 80 beats per minute, included different melodies in new‐age style for 30 minutes, and played with a volume of 50 to 60 dB".

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

HR: change scores

RR, MAP, O₂‐sat: posttest scores

S‐Cortisol: change scores

Not used:

Anxiety (NRS): not included in this review since range of scores but no SDs were reported.

Pain (NRS): not included in this review since range of scores but no SDs were reported.

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "The patients were randomly allocated to 2 groups, 1 music group and 1 control group, using a computer‐generated randomization list created by the statistician" (p. 202).

Allocation concealment (selection bias)

Low risk

Quote: "Three special research nurses allocated the next available number on entry into the trial and conducted all interventions and outcome assessments. The code was revealed to the re‐ searcher once recruitment, data collection, and laboratory analyses were complete" (p.202)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded. However, low risk of bias for blood serum cortisol levels as lab technicians were blinded.

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 2 (3.3%). Quote: "Two of those patients, who gave informed consent to participate in the music group, were excluded because of chest pain and the drainage procedure" (p. 203).

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Funding for this study was provided by grants received from the Research Committee of Orebro County Council.

Ryu 2011

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults with confirmed CAD diagnosis undergoing percutaneous transluminal coronary angiography procedures

Total N randomized: 60

N randomized to music group: 30

N randomized to control group: 30

N analyzed in music group: 29

N analyzed in control group: 29

Mean age: 61.2 years

Sex: 20 (34%) women, 38 (66%) men

Ethnicity: no information provided

Setting: inpatient

Country: South Korea

Interventions

Two study groups:

1. Music group: participants listened to sleep‐inducing music from 10:00 pm to 5:00 am the next morning

2. Control group: ear plugs were provided from 10:00 pm to 5:00 am the next morning

Music provided: the sleep‐inducing album entitled Korean’s Brain, Delta wave Clinic Vol 1. by KK Park which included sequencing of nature sounds, delta wave control music, and Goldberg Variations BWV. 988

Number of sessions: 1

Length of sessions: 30 minutes

Categorized as music medicine

Outcomes

Quantity of sleep (min)

Quality of sleep (Verran and Synder‐Halpern Sleeping Scale)

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "The 60 participants were randomly assigned to experimental group or control group using a card number. The participants having an even number were assigned to the experimental group, and those with an odd number were assigned to the control group". (p.730)

Allocation concealment (selection bias)

Low risk

Allocation was concealed by having participants draw the card number

Blinding of participants and personnel (performance bias)
All outcomes

Unclear risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

Quote: "The research assistants were nurses having more than two years of experience in the CCU and who were blinded to which subject was assigned to the experimental group or the control group" (p.731)

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition rate: n = 2 (3.3%) One participant in the experimental group was excluded for having taken a sleep‐inducing drug taken, and one participant in the control group was transferred to another unit

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

No report of funding

Schou 2008

Study characteristics

Methods

RCT

2‐arm parallel group design

Participants

Adults, valve replacement or valve replacement and CABG

Total N randomized: 68

N randomized to music therapy group:25

N randomized to placebo group: 23 (not used in this review)

N randomized to control group: 20

N analyzed in music therapy group: 22

N analyzed in control group: 19

N randomized in placebo group: 22

Mean age: 65 (SD 9.5) years

Sex: 14 (21%) women, 54 (79%) men

Ethnicity: not reported

Setting: inpatient

Country: Denmark

Interventions

Two study groups:

1. Music therapy group: music‐guided relaxation

2. Control group: standard care

Music provided: (a) Easy listening, (b) classical, (c) specially composed (musicure), (d) jazz

Number of sessions: 1 pre‐operative session and up to 4 postoperative sessions (most participants received 2 postop sessions)
Duration of session: 35 mins
Categorized as music therapy

Outcomes

Anxiety (VAS): posttest 2nd postop session

Mood (POMS): posttest 2nd postop session

Pain (VAS): posttest 2nd postop session

Use of strong opioids (mg): on day of 2nd session

Use of mild opioids (mg): on day of 2nd session

Use of paracetamol (gram): on day of 2nd session

Length of hospital stay

Notes

Most participants only received 2 sessions postoperatively. Therefore, data of the 2nd postop sessions was used for this analysis

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Random block

Allocation concealment (selection bias)

Low risk

Use of codes as group labels, recruiters did not know what group the codes identified (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

Low risk

Music therapist and participants could not be blinded given the interactive nature of the music therapy session

Blinding of outcome assessment (detection bias)
Subjective outcomes

Unclear risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Not reported

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition: n = 4 (8.8%). Withdrawals due to early discharge.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Unfunded research study

Sendelbach 2006

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults following non‐emergent CAB and/or valve replacement surgery
Total N randomized: not reported

N randomized to music group: unclear

N randomized to control group: unclear

N analyzed in music group: 50
N analyzed in control group: 36

Mean age: 63.5 years
Sex: 26 (30%) women, 60 (70%) men
Ethnicity: not reported

Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to self‐selected sedative music through earphones

2. Control group: standard care
Music selections provided: (a) easy listening, (b) classical, (c) jazz
Number of sessions: 2 sessions/day for POD 1 through 3
Length of session: 20 mins
Categorized as music medicine

Outcomes

Anxiety (STAI): 6 measurement points. Due to high number of missing values, only posttests POD1 am, POD1 pm and POD2 am were used in research report
HR and SBP: 6 measurement points. Due to high number of missing values, only posttest POD1 am, POD1 pm and POD2 am were used in research report
Pain (NRS): 6 measurement points. Due to high number of missing values, only posttests POD1 am, POD1 pm and POD2 am were used in research report

Notes

N is highly variable due to high number of missing data

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Flip of coin

Allocation concealment (selection bias)

Low risk

Flip of coin prevented prior knowledge of randomization sequence

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded.

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Unclear risk

Not reported

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by a grant from the Allina Foundation Nursing Research Trust Fund.

Stein 2010

Study characteristics

Methods

RCT

3‐arm parallel group design

Participants

Adults awaiting CABG surgery or CABG plus aortic valve repair or replacement

Total N randomized: 70

N randomized to music group: unclear

N randomized to guided imagery: unclear (not used in this review)

N randomized to control group: unclear

N analyzed in music group: 17

N analyzed in control group: 19

N analyzed in guided imagery: 20 (not included in this review)

Mean age: no information provided

Sex: 8 (22%) women, 28 (78%) men

Ethnicity: 36 (92%) white, 1 (3%) African‐American, 2 (5%) Hispanic

Setting: inpatient and outpatient

Country: USA

Interventions

Two study groups:

1. Music group: participants listened to audiotapes at least once a day, every day, for 1 week before surgery. Participants were also asked to listen to their tapes intraoperatively

2. Control group: standard care which included access to CAM therapies, including audiotapes, upon request

Music provided: Successful Surgery by Belleruth Naparstek without the pre‐recorded voice‐over providing imagery and affirmations

Number of sessions: Varied

Length of sessions: Varied

Categorized as music medicine

Outcomes

Anxiety (HADS ‐ anxiety subscale): change scores

Depression (HADS ‐ depression subscale): change scores

Mood disturbance (POMS): posttest scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "patients were randomly assigned via a coin toss" (p.215)

Allocation concealment (selection bias)

Low risk

Coin toss

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Music was self‐administered at home after participants filled out baseline measurements

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Low risk

No objective outcomes were included in this study

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Unclear how many participants were lost in the music and the control groups. In total (for 3 groups), 14 (20%) participants were lost. Reasons: 7 participants did not undergo CABG procedures or were transferred to another hospital; 7 did not complete the posttest.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Funding for this study was provided by the Foundation for the Advancement of Cardiac Therapies.

Voss 2004

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults in ICU after CABG
Total N randomized: 62

N randomized to music group: 20

N randomized to scheduled rest group: 21 (not included in this review)

N randomized to control group: 21

N analyzed in music group: 19

N analyzed in scheduled rest: 21 (not included in this review)
N analyzed in control group: 21
Mean age: 63 (SD 13) years
Sex: 22 (36%) women, 39 (64%) men
Ethnicity: 53 (87%) white, 8 (13%) American‐Indian

Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to self‐selected sedative music through earphones

2. Control group: standard care during chair rest.
Music provided: (a) synthesizer music, (b) harp, (c) piano, (d) orchestra, (e) slow jazz, (f) flute. All music was without lyrics with sustained melodic quality, with a rate of 60 ‐ 80 bpm and a general absence of strong rhythms or percussion
Number of sessions: 1
Length of session: 30 mins
Categorized as music medicine

Outcomes

Anxiety (VAS): posttest
Pain sensation (VAS): posttest
Pain distress (VAS): posttest

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Quote: "Written informed consent was obtained, and participants were randomly assigned to the sedative music, scheduled rest, or control group using sealed envelopes with a varied block size prepared by the statistician. The investigator was blind to the block size and could not anticipate group assignment" (p.198)

Allocation concealment (selection bias)

Low risk

Serially numbered opaque sealed envelopes

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Investigator measured objective outcomes

Incomplete outcome data (attrition bias)
All outcomes

Low risk

Attrition: n = 1 (2.4%). One participant was deleted from analysis because of extreme scores (outlier)

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by Sigma Theta Tau Phi Chapter Research Grant, 2001–2002

White 1992

Study characteristics

Methods

RCT
2‐arm parallel group design

Participants

Adults with confirmed diagnosis of MI, with STAI scores > 40

Total N randomized: 40
N randomized to music group: 20
N randomized to control group: 20

N analyzed in music group: 20

N analyzed in control group: 20

Mean age: 57.7 (SD 7.57) years
Sex: 11 (28%) women, 29 (72%) men

Ethnicity: 36 (90%) white, 4 (10%) African‐American
Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music through earphones

2. Control group: quiet, uninterrupted rest
Music provided: 4 classical adagios, tempo of approx. 60 bpm
Number of sessions: 1
Length of session: 25 min
Categorized as music medicine

Outcomes

Anxiety (STAI): posttest scores
HR, RR: posttest scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Computer‐generated random number list (personal communication with author)

Allocation concealment (selection bias)

Low risk

Study recruiters were blind to allocation (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No participant loss

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Unclear risk

Unfunded research study

White 1999

Study characteristics

Methods

RCT
3‐arm parallel group design

Participants

Adults with confirmed diagnosis of MI

Total N randomized:45
N randomized to music group: 15
N randomized to control group: 15
N randomized to quiet rest group: 15 (not included in this review)

N analyzed in music group: 15

N analyzed in control group:15

Mean age: 63 years
Sex: 7 (23%) women, 23 (67%) men
Ethnicity: 23 (76.6%) white, 6 (20%) African‐American, 1 (3.4%) Hispanic
Setting: inpatient

Country: USA

Interventions

Two study groups:

1. Music group: listening to researcher‐selected music through earphones

2. Control group: standard care
Music used: classical music (no further specifications)
Number of sessions: 1
Length of session: 20 mins
Categorized as music medicine

Outcomes

Anxiety (STAI): posttest
HR, RR, SBP: posttest
High frequency heart rate variability (HF HRV) (variability power)

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Computer‐generated random number list (personal communication with author)

Allocation concealment (selection bias)

Low risk

Study recruiters were blind to allocation (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

High risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

High risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

High risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

No participant loss

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported in part by NSRA F 31; Marquette Medical Systems, Inc,; and Eta Nu Chapter of the Sigma Theta Tau International.

Winters 2005

Study characteristics

Methods

RCT
6‐arm parallel group design

Participants

Adults less than 72 hrs post‐MI

Total N randomized: 184

N randomized to music group who received 1 session (am): unclear

N randomized to music group who received 2 sessions (am and pm):unclear

N randomized to music group who received 2 sessions (am and noc):unclear

N randomized to music group who received 3 sessions (am, pm, noc): unclear

N randomized to standard care control group: unclear

N randomized to quiet rest group: unclear (not included in this review)

N analyzed in standard care group (N = 30)

N analyzed in quiet rest group (N = 29)

N analyzed in music listening group, 1 session in am (N = 30)

N analyzed in music listening group, 2 sessions, am and pm (N = 30)

N analyzed in music listening group, 2 sessions, am and noc (N = 30)

N analyzed in music listening group, 3 sessions, am, pm, and noc (N = 30).

Sex: 38 (64%) women, 22 (36%) men

Age: no age data reported

Etnicity: 117 (63.7%) white, 60 (32.4%) African‐American, 4 (2.2%) Asian, 1 (0.6%) Native American, 2 (1.1%) unknown (ethnicity per arm was not reported)

Setting: inpatient

Country: USA

Interventions

Six study groups: (1) standard care group (N = 30), (2) quiet rest group (N = 29), (3) music listening group, 1 session in am (N = 30), (4) music listening group, 2 sessions, am and pm (N = 30), (5) music listening group, 2 sessions, am and noc (N = 30), and (6) music listening group, 3 sessions, am, pm, and noc (N = 30).

Music used: patient‐selected relaxing music

Number of sessions: 3 (only data of group 6 compared to group 1 was used for this analysis)

Duration of session: 20 minutes

Categorized as music medicine study.

Outcomes

Anxiety (STAI): change scores

HR, RR, SBP, HF HRV (variability power), myocardial oxygen (MVO₂) demand: change scores

Notes

Risk of bias

Bias

Authors' judgement

Support for judgement

Random sequence generation (selection bias)

Low risk

Computer‐generated random number list (personal communication with author)

Allocation concealment (selection bias)

Low risk

Study recruiters were blind to allocation (personal communication with author)

Blinding of participants and personnel (performance bias)
All outcomes

Unclear risk

Blinding of participants was not possible. Personnel were not blinded

Blinding of outcome assessment (detection bias)
Subjective outcomes

Unclear risk

Self report measures were used for subjective outcomes

Blinding of outcome assessment (detection bias)
Objective outcomes

Unclear risk

Outcome assessors were not blinded

Incomplete outcome data (attrition bias)
All outcomes

Low risk

For all study arms combined, there was an attrition of n = 5 (2.7%). Reasons: 2 because of delirium tremors, 3 because of extensive periods of atrial fibrillation.

Selective reporting (reporting bias)

Unclear risk

Not sufficient information available to make judgment

Other bias

Low risk

Supported by NINR 5R01NR005004‐06

ACS: acute coronary syndrome; BSI: Brief Symptom Inventory; CABG: coronary artery bypass graft; CAD: coronary artery disease; CAM: complementary and alternative medicine ;CCU: coronary care unit; CES‐D: Center for Epidemiological Studies Depression Scale; CR: cardiac rehabilitation; DBP: diastolic blood pressure; ECG: electrocardiogram; HADS: Hospital Anxiety and Depression Scale; HR: heart rate; ICU: intensive care unit; LAAS: Linear Analogue Anxiety Scale; MI: myocardial infarction; mg: milligram; MPQ: McGill Pain Questionnaire; NRS: Numeric Rating Scale, POD: post‐operative days; POMS: Profile of Mood States; POMS‐SF: Profile of Mood States Short Form; POD: post‐operative day; RCT: randomized controlled trial; RR: respiratory rate; SBP: systolic blood pressure; SD: standard deviation; STAI: Spielberger State‐Trait Anxiety Inventory; STAI‐S: Spielberger State‐Trait Anxiety Inventory State Anxiety form; STAI‐T:Spielberger State‐Trait Anxiety Inventory Trait Anxiety form; VAS; Visual Analogue Scale; VRS: Verbal Rating Scale.

Characteristics of excluded studies [ordered by study ID]

Jump to:

Study

Reason for exclusion

Aragon 2002

Not a randomized controlled trial

Argstatter 2006

This study was included in the original review but is now excluded because not all participants had confirmed CHD

Bally 2003

Not all participants had confirmed CHD

Bonny 1983

Not a randomized controlled trial. Pretest‐posttest single group design

Byers 1997

Not a randomized controlled trial

Chang 2011

Not all participants had confirmed CHD

Claire 1986

Not a randomized controlled trial

Diamandi 2008

No standard care control group. Study compared music therapy with music listening

Dritsas 2006

Insufficient data available

Escher 1996

Insufficient data available

Garcia 2003

Not a randomized controlled trial

Ghetti 2011

Not all participants had confirmed CHD

Goertz 2011

Not all participants had confirmed CHD

Guzzetta 1989

This study was included in the original review but is now excluded because not all participants had confirmed CHD

Hamel 2001

Not all participants had confirmed CHD

Harris 1971

Not all participants had confirmed CHD

Hatem 2006

Interquartile ranges are reported instead of standard deviations. This suggests that the outcome distribution was severely skewed.

Ibhler 2011

Insufficient data available

Jiang 2008

The study intervention was a combination of relaxation training and music listening

MacNay 1995

Not a randomized controlled trial

Mandel 2007b

Not a randomized controlled trial

Micci 1984

Participants received diagnostic angiography procedure

Moradipanah 2009

Participants received diagnostic angiography procedure

Nilsson 2009b

Participants received diagnostic angiography procedure

Nilsson 2012

Participants received diagnostic angiography procedure

Okada 2009

Not a randomized controlled trial

Reisinger 1995

Not all participants had confirmed CHD

Richardson 2004

No standard care control group. Study compared music listening with music/imagery

Robichaud 1999

This study was included in the original review but is now excluded because not all participants had confirmed CHD

Schwartz 2002

No randomization used

Schwartz 2009

Group assignment was based on availability of space

Short 2011

Experimental group was not randomized and there was no control group

Slyfield 1992

Insufficient data

Taylor‐Piliae 2002

Not all participants had confirmed CHD

Thorgaard 2004

Unclear randomization methods. Poor data reporting

Twiss 2003

Lack of proper randomization method. In the thesis author explicitly states that only 4 CD players were available. If all CD players were in use, the next group of participants were placed in the control group

Vanderboom 2012

Participants received diagnostic cerebral angiography procedure

Watanabe 2011

Participants received diagnostic angiography procedure

Weeks 2011

Participants received diagnostic angiography procedure

Zimmerman 1988

This study was included in the original review but is now excluded because not all participants had confirmed CHD

Data and analyses

Open in table viewer
Comparison 1. Music versus standard care

Outcome or subgroup title

No. of studies

No. of participants

Statistical method

Effect size

1.1 Psychological distress Show forest plot

5

228

Mean Difference (IV, Fixed, 95% CI)

‐1.26 [‐2.30, ‐0.22]

Analysis 1.1

Comparison 1: Music versus standard care, Outcome 1: Psychological distress

Comparison 1: Music versus standard care, Outcome 1: Psychological distress

1.2 Anxiety (all measures) ‐ patient type Show forest plot

10

353

Std. Mean Difference (IV, Random, 95% CI)

‐0.70 [‐1.17, ‐0.22]

Analysis 1.2

Comparison 1: Music versus standard care, Outcome 2: Anxiety (all measures) ‐ patient type

Comparison 1: Music versus standard care, Outcome 2: Anxiety (all measures) ‐ patient type

1.2.1 anxiety (all measures) (MI)

4

143

Std. Mean Difference (IV, Random, 95% CI)

‐0.94 [‐1.95, 0.06]

1.2.2 anxiety (all measures)(surgical/procedural)

4

171

Std. Mean Difference (IV, Random, 95% CI)

‐0.63 [‐1.25, ‐0.01]

1.2.3 anxiety (all measures)(rehabilitation)

2

39

Std. Mean Difference (IV, Random, 95% CI)

‐0.38 [‐1.60, 0.83]

1.3 Anxiety (all measures) ‐ music preference Show forest plot

9

323

Std. Mean Difference (IV, Random, 95% CI)

‐0.79 [‐1.29, ‐0.29]

Analysis 1.3

Comparison 1: Music versus standard care, Outcome 3: Anxiety (all measures) ‐ music preference

Comparison 1: Music versus standard care, Outcome 3: Anxiety (all measures) ‐ music preference

1.3.1 Anxiety (all measures) ‐ partcipant‐selected

4

144

Std. Mean Difference (IV, Random, 95% CI)

‐0.89 [‐1.42, ‐0.36]

1.3.2 Anxiety (all measures) ‐ researcher‐selected

5

179

Std. Mean Difference (IV, Random, 95% CI)

‐0.74 [‐1.55, 0.08]

1.4 State anxiety (STAI) ‐ patient type Show forest plot

7

310

Mean Difference (IV, Random, 95% CI)

‐4.58 [‐7.78, ‐1.39]

Analysis 1.4

Comparison 1: Music versus standard care, Outcome 4: State anxiety (STAI) ‐ patient type

Comparison 1: Music versus standard care, Outcome 4: State anxiety (STAI) ‐ patient type

1.4.1 State anxiety (STAI) ‐ MI

6

243

Mean Difference (IV, Random, 95% CI)

‐5.87 [‐7.99, ‐3.75]

1.4.2 State anxiety (STAI) ‐ surgical/procedural

1

67

Mean Difference (IV, Random, 95% CI)

0.40 [‐1.33, 2.13]

1.5 State Anxiety (STAI) ‐ music preference Show forest plot

7

310

Mean Difference (IV, Random, 95% CI)

‐4.58 [‐7.78, ‐1.39]

Analysis 1.5

Comparison 1: Music versus standard care, Outcome 5: State Anxiety (STAI) ‐ music preference

Comparison 1: Music versus standard care, Outcome 5: State Anxiety (STAI) ‐ music preference

1.5.1 State Anxiety (STAI) ‐ participant‐preferred

3

167

Mean Difference (IV, Random, 95% CI)

‐4.71 [‐10.76, 1.33]

1.5.2 State Anxiety (STAI) ‐ researcher‐selected

4

143

Mean Difference (IV, Random, 95% CI)

‐4.68 [‐8.27, ‐1.10]

1.6 State Anxiety (STAI) ‐ music preference MI only Show forest plot

6

243

Mean Difference (IV, Random, 95% CI)

‐5.87 [‐7.99, ‐3.75]

Analysis 1.6

Comparison 1: Music versus standard care, Outcome 6: State Anxiety (STAI) ‐ music preference MI only

Comparison 1: Music versus standard care, Outcome 6: State Anxiety (STAI) ‐ music preference MI only

1.6.1 State Anxiety (STAI) ‐ participant‐preferred

2

100

Mean Difference (IV, Random, 95% CI)

‐7.36 [‐9.45, ‐5.27]

1.6.2 State Anxiety (STAI) ‐ researcher‐selected

4

143

Mean Difference (IV, Random, 95% CI)

‐4.68 [‐8.27, ‐1.10]

1.7 Anxiety (non‐STAI)‐patient type Show forest plot

7

248

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.93, 0.06]

Analysis 1.7

Comparison 1: Music versus standard care, Outcome 7: Anxiety (non‐STAI)‐patient type

Comparison 1: Music versus standard care, Outcome 7: Anxiety (non‐STAI)‐patient type

1.7.1 Anxiety (surgical/procedural)

4

171

Std. Mean Difference (IV, Random, 95% CI)

‐0.63 [‐1.25, ‐0.01]

1.7.2 Anxiety (MI and rehabilitation)

3

77

Std. Mean Difference (IV, Random, 95% CI)

‐0.03 [‐0.61, 0.56]

1.8 Anxiety (non‐STAI) ‐ music preference Show forest plot

7

248

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.93, 0.06]

Analysis 1.8

Comparison 1: Music versus standard care, Outcome 8: Anxiety (non‐STAI) ‐ music preference

Comparison 1: Music versus standard care, Outcome 8: Anxiety (non‐STAI) ‐ music preference

1.8.1 Anxiety (non‐STAI) ‐ participant‐preferred

4

144

Std. Mean Difference (IV, Random, 95% CI)

‐0.89 [‐1.42, ‐0.36]

1.8.2 Anxiety (non‐STAI) ‐ researcher‐selected

3

104

Std. Mean Difference (IV, Random, 95% CI)

0.11 [‐0.28, 0.49]

1.9 Depression Show forest plot

6

217

Std. Mean Difference (IV, Fixed, 95% CI)

‐0.11 [‐0.38, 0.16]

Analysis 1.9

Comparison 1: Music versus standard care, Outcome 9: Depression

Comparison 1: Music versus standard care, Outcome 9: Depression

1.10 Mood Show forest plot

2

97

Std. Mean Difference (IV, Random, 95% CI)

1.08 [‐0.02, 2.17]

Analysis 1.10

Comparison 1: Music versus standard care, Outcome 10: Mood

Comparison 1: Music versus standard care, Outcome 10: Mood

1.11 Heart rate‐patient type Show forest plot

13

828

Mean Difference (IV, Random, 95% CI)

‐3.40 [‐6.12, ‐0.69]

Analysis 1.11

Comparison 1: Music versus standard care, Outcome 11: Heart rate‐patient type

Comparison 1: Music versus standard care, Outcome 11: Heart rate‐patient type

1.11.1 heart rate (surg ical/procedural)

7

604

Mean Difference (IV, Random, 95% CI)

‐2.61 [‐5.62, 0.39]

1.11.2 Heart rate (MI)

5

194

Mean Difference (IV, Random, 95% CI)

‐4.75 [‐9.26, ‐0.25]

1.11.3 Heart rate (rehab)

1

30

Mean Difference (IV, Random, 95% CI)

4.50 [‐9.68, 18.68]

1.12 Heart rate ‐ music preference Show forest plot

13

828

Mean Difference (IV, Random, 95% CI)

‐3.62 [‐6.28, ‐0.95]

Analysis 1.12

Comparison 1: Music versus standard care, Outcome 12: Heart rate ‐ music preference

Comparison 1: Music versus standard care, Outcome 12: Heart rate ‐ music preference

1.12.1 Heart rate ‐ participant‐selected music

7

430

Mean Difference (IV, Random, 95% CI)

‐4.69 [‐9.40, 0.02]

1.12.2 Heart rate ‐ researcher‐selected music

6

398

Mean Difference (IV, Random, 95% CI)

‐2.67 [‐4.27, ‐1.07]

1.13 Heart rate variability Show forest plot

2

90

Std. Mean Difference (IV, Fixed, 95% CI)

0.07 [‐0.34, 0.48]

Analysis 1.13

Comparison 1: Music versus standard care, Outcome 13: Heart rate variability

Comparison 1: Music versus standard care, Outcome 13: Heart rate variability

1.14 Respiratory rate ‐ music preference Show forest plot

7

442

Mean Difference (IV, Random, 95% CI)

‐2.50 [‐3.61, ‐1.39]

Analysis 1.14

Comparison 1: Music versus standard care, Outcome 14: Respiratory rate ‐ music preference

Comparison 1: Music versus standard care, Outcome 14: Respiratory rate ‐ music preference

1.14.1 Respiratory Rate ‐ participant‐selected

3

186

Mean Difference (IV, Random, 95% CI)

‐4.42 [‐7.37, ‐1.46]

1.14.2 Respiratory Rate ‐ researcher‐selected

4

256

Mean Difference (IV, Random, 95% CI)

‐1.66 [‐2.20, ‐1.12]

1.15 Systolic blood pressure Show forest plot

11

775

Mean Difference (IV, Fixed, 95% CI)

‐5.52 [‐7.43, ‐3.60]

Analysis 1.15

Comparison 1: Music versus standard care, Outcome 15: Systolic blood pressure

Comparison 1: Music versus standard care, Outcome 15: Systolic blood pressure

1.16 Diastolic blood pressure Show forest plot

9

685

Mean Difference (IV, Fixed, 95% CI)

‐1.12 [‐2.57, 0.34]

Analysis 1.16

Comparison 1: Music versus standard care, Outcome 16: Diastolic blood pressure

Comparison 1: Music versus standard care, Outcome 16: Diastolic blood pressure

1.17 Mean A rterial Pressure Show forest plot

3

158

Mean Difference (IV, Fixed, 95% CI)

‐0.91 [‐4.08, 2.26]

Analysis 1.17

Comparison 1: Music versus standard care, Outcome 17: Mean A rterial Pressure

Comparison 1: Music versus standard care, Outcome 17: Mean A rterial Pressure

1.18 Oxygen Saturation Show forest plot

3

184

Mean Difference (IV, Random, 95% CI)

‐0.02 [‐1.65, 1.61]

Analysis 1.18

Comparison 1: Music versus standard care, Outcome 18: Oxygen Saturation

Comparison 1: Music versus standard care, Outcome 18: Oxygen Saturation

1.19 Pain Show forest plot

8

630

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.80, ‐0.05]

Analysis 1.19

Comparison 1: Music versus standard care, Outcome 19: Pain

Comparison 1: Music versus standard care, Outcome 19: Pain

1.19.1 One music session

5

420

Std. Mean Difference (IV, Random, 95% CI)

‐0.55 [‐1.16, 0.07]

1.19.2 Two or more music sessions

3

210

Std. Mean Difference (IV, Random, 95% CI)

‐0.27 [‐0.55, ‐0.00]

1.20 Length of hospital stay Show forest plot

2

82

Mean Difference (IV, Fixed, 95% CI)

‐0.06 [‐1.03, 0.92]

Analysis 1.20

Comparison 1: Music versus standard care, Outcome 20: Length of hospital stay

Comparison 1: Music versus standard care, Outcome 20: Length of hospital stay

1.21 Opioid intake Show forest plot

2

90

Std. Mean Difference (IV, Fixed, 95% CI)

‐0.25 [‐0.67, 0.16]

Analysis 1.21

Comparison 1: Music versus standard care, Outcome 21: Opioid intake

Comparison 1: Music versus standard care, Outcome 21: Opioid intake

1.22 Quality of sleep Show forest plot

2

122

Std. Mean Difference (IV, Random, 95% CI)

0.91 [0.03, 1.79]

Analysis 1.22

Comparison 1: Music versus standard care, Outcome 22: Quality of sleep

Comparison 1: Music versus standard care, Outcome 22: Quality of sleep

Funnel plot of comparison: 1 music versus standard care, outcome: 1.2 Anxiety (all measures) ‐ patient type.

Figures and Tables -
Figure 1

Funnel plot of comparison: 1 music versus standard care, outcome: 1.2 Anxiety (all measures) ‐ patient type.

Funnel plot of comparison: 1 music versus standard care, outcome: 1.11 Heart rate‐patient type.

Figures and Tables -
Figure 2

Funnel plot of comparison: 1 music versus standard care, outcome: 1.11 Heart rate‐patient type.

Funnel plot of comparison: 1 music versus standard care, outcome: 1.15 Systolic blood pressure.

Figures and Tables -
Figure 3

Funnel plot of comparison: 1 music versus standard care, outcome: 1.15 Systolic blood pressure.

Risk of bias summary: review authors' judgements about each risk of bias item for each included study.

Figures and Tables -
Figure 4

Risk of bias summary: review authors' judgements about each risk of bias item for each included study.

Risk of bias graph: review authors' judgements about each risk of bias item presented as percentages across all included studies.

Figures and Tables -
Figure 5

Risk of bias graph: review authors' judgements about each risk of bias item presented as percentages across all included studies.

Comparison 1: Music versus standard care, Outcome 1: Psychological distress

Figures and Tables -
Analysis 1.1

Comparison 1: Music versus standard care, Outcome 1: Psychological distress

Comparison 1: Music versus standard care, Outcome 2: Anxiety (all measures) ‐ patient type

Figures and Tables -
Analysis 1.2

Comparison 1: Music versus standard care, Outcome 2: Anxiety (all measures) ‐ patient type

Comparison 1: Music versus standard care, Outcome 3: Anxiety (all measures) ‐ music preference

Figures and Tables -
Analysis 1.3

Comparison 1: Music versus standard care, Outcome 3: Anxiety (all measures) ‐ music preference

Comparison 1: Music versus standard care, Outcome 4: State anxiety (STAI) ‐ patient type

Figures and Tables -
Analysis 1.4

Comparison 1: Music versus standard care, Outcome 4: State anxiety (STAI) ‐ patient type

Comparison 1: Music versus standard care, Outcome 5: State Anxiety (STAI) ‐ music preference

Figures and Tables -
Analysis 1.5

Comparison 1: Music versus standard care, Outcome 5: State Anxiety (STAI) ‐ music preference

Comparison 1: Music versus standard care, Outcome 6: State Anxiety (STAI) ‐ music preference MI only

Figures and Tables -
Analysis 1.6

Comparison 1: Music versus standard care, Outcome 6: State Anxiety (STAI) ‐ music preference MI only

Comparison 1: Music versus standard care, Outcome 7: Anxiety (non‐STAI)‐patient type

Figures and Tables -
Analysis 1.7

Comparison 1: Music versus standard care, Outcome 7: Anxiety (non‐STAI)‐patient type

Comparison 1: Music versus standard care, Outcome 8: Anxiety (non‐STAI) ‐ music preference

Figures and Tables -
Analysis 1.8

Comparison 1: Music versus standard care, Outcome 8: Anxiety (non‐STAI) ‐ music preference

Comparison 1: Music versus standard care, Outcome 9: Depression

Figures and Tables -
Analysis 1.9

Comparison 1: Music versus standard care, Outcome 9: Depression

Comparison 1: Music versus standard care, Outcome 10: Mood

Figures and Tables -
Analysis 1.10

Comparison 1: Music versus standard care, Outcome 10: Mood

Comparison 1: Music versus standard care, Outcome 11: Heart rate‐patient type

Figures and Tables -
Analysis 1.11

Comparison 1: Music versus standard care, Outcome 11: Heart rate‐patient type

Comparison 1: Music versus standard care, Outcome 12: Heart rate ‐ music preference

Figures and Tables -
Analysis 1.12

Comparison 1: Music versus standard care, Outcome 12: Heart rate ‐ music preference

Comparison 1: Music versus standard care, Outcome 13: Heart rate variability

Figures and Tables -
Analysis 1.13

Comparison 1: Music versus standard care, Outcome 13: Heart rate variability

Comparison 1: Music versus standard care, Outcome 14: Respiratory rate ‐ music preference

Figures and Tables -
Analysis 1.14

Comparison 1: Music versus standard care, Outcome 14: Respiratory rate ‐ music preference

Comparison 1: Music versus standard care, Outcome 15: Systolic blood pressure

Figures and Tables -
Analysis 1.15

Comparison 1: Music versus standard care, Outcome 15: Systolic blood pressure

Comparison 1: Music versus standard care, Outcome 16: Diastolic blood pressure

Figures and Tables -
Analysis 1.16

Comparison 1: Music versus standard care, Outcome 16: Diastolic blood pressure

Comparison 1: Music versus standard care, Outcome 17: Mean A rterial Pressure

Figures and Tables -
Analysis 1.17

Comparison 1: Music versus standard care, Outcome 17: Mean A rterial Pressure

Comparison 1: Music versus standard care, Outcome 18: Oxygen Saturation

Figures and Tables -
Analysis 1.18

Comparison 1: Music versus standard care, Outcome 18: Oxygen Saturation

Comparison 1: Music versus standard care, Outcome 19: Pain

Figures and Tables -
Analysis 1.19

Comparison 1: Music versus standard care, Outcome 19: Pain

Comparison 1: Music versus standard care, Outcome 20: Length of hospital stay

Figures and Tables -
Analysis 1.20

Comparison 1: Music versus standard care, Outcome 20: Length of hospital stay

Comparison 1: Music versus standard care, Outcome 21: Opioid intake

Figures and Tables -
Analysis 1.21

Comparison 1: Music versus standard care, Outcome 21: Opioid intake

Comparison 1: Music versus standard care, Outcome 22: Quality of sleep

Figures and Tables -
Analysis 1.22

Comparison 1: Music versus standard care, Outcome 22: Quality of sleep

Summary of findings 1. Music versus standard care for coronary heart disease

Music versus standard care for coronary heart disease

Patient or population: people with coronary heart disease
Settings:
Intervention: music versus standard care

Outcomes

Illustrative comparative risks* (95% CI)

Relative effect
(95% CI)

No of Participants
(studies)

Quality of the evidence
(GRADE)

Comments

Assumed risk

Corresponding risk

Control

Music versus standard care

Psychological Distress
POMS

The mean psychological distress in the intervention groups was
1.26 lower
(2.30 to 0.22 lower)

228
(5 studies)

⊕⊕⊝⊝
low1

Anxiety (all measures)
NRS, VAS, HADS, STAI

The mean anxiety (all measures) in the intervention groups was
0.70 standard deviations lower
(1.17 to 0.22 lower)

353
(10 studies)

⊕⊝⊝⊝
very low1,2,3

State anxiety (MI patients)
STAI

The mean state anxiety (MI patients) in the intervention groups was
5.87 lower
(7.99 to 3.75 lower)

243
(6 studies)

⊕⊕⊝⊝
low1

Heart rate
bpm

The mean heart rate in the intervention groups was
3.62 lower
(6.28 to 0.95 lower)

828
(13 studies)

⊕⊝⊝⊝
very low1,2,3

Respiratory rate
breaths per minute

The mean respiratory rate in the intervention groups was
2.50 lower
(3.61 to 1.39 lower)

442
(7 studies)

⊕⊝⊝⊝
very low1,4

Systolic blood pressure

The mean systolic blood pressure in the intervention groups was
5.52 lower
(7.43 to 3.60 lower)

775
(11 studies)

⊕⊕⊝⊝
low1

Pain
VAS, NRS

The mean pain in the intervention groups was
0.43 standard deviations lower
(0.80 to 0.05 lower)

562
(8 studies)

⊕⊝⊝⊝
very low1,3,5

*The basis for the assumed risk (e.g. the median control group risk across studies) is provided in footnotes. The corresponding risk (and its 95% confidence interval) is based on the assumed risk in the comparison group and the relative effect of the intervention (and its 95% CI).
CI: Confidence interval;

GRADE Working Group grades of evidence
High quality: Further research is very unlikely to change our confidence in the estimate of effect.
Moderate quality: Further research is likely to have an important impact on our confidence in the estimate of effect and may change the estimate.
Low quality: Further research is very likely to have an important impact on our confidence in the estimate of effect and is likely to change the estimate.
Very low quality: We are very uncertain about the estimate.

1The majority of the trials were assessed as being at high risk of bias
2Results were inconsistent across studies as evidenced by I² = 77%.
3Wide confidence interval
4Results were inconsistent across studies as evidenced by I² = 79%.
5Results were inconsistent across studies as evidenced by I² = 81%.

Figures and Tables -
Summary of findings 1. Music versus standard care for coronary heart disease
Comparison 1. Music versus standard care

Outcome or subgroup title

No. of studies

No. of participants

Statistical method

Effect size

1.1 Psychological distress Show forest plot

5

228

Mean Difference (IV, Fixed, 95% CI)

‐1.26 [‐2.30, ‐0.22]

1.2 Anxiety (all measures) ‐ patient type Show forest plot

10

353

Std. Mean Difference (IV, Random, 95% CI)

‐0.70 [‐1.17, ‐0.22]

1.2.1 anxiety (all measures) (MI)

4

143

Std. Mean Difference (IV, Random, 95% CI)

‐0.94 [‐1.95, 0.06]

1.2.2 anxiety (all measures)(surgical/procedural)

4

171

Std. Mean Difference (IV, Random, 95% CI)

‐0.63 [‐1.25, ‐0.01]

1.2.3 anxiety (all measures)(rehabilitation)

2

39

Std. Mean Difference (IV, Random, 95% CI)

‐0.38 [‐1.60, 0.83]

1.3 Anxiety (all measures) ‐ music preference Show forest plot

9

323

Std. Mean Difference (IV, Random, 95% CI)

‐0.79 [‐1.29, ‐0.29]

1.3.1 Anxiety (all measures) ‐ partcipant‐selected

4

144

Std. Mean Difference (IV, Random, 95% CI)

‐0.89 [‐1.42, ‐0.36]

1.3.2 Anxiety (all measures) ‐ researcher‐selected

5

179

Std. Mean Difference (IV, Random, 95% CI)

‐0.74 [‐1.55, 0.08]

1.4 State anxiety (STAI) ‐ patient type Show forest plot

7

310

Mean Difference (IV, Random, 95% CI)

‐4.58 [‐7.78, ‐1.39]

1.4.1 State anxiety (STAI) ‐ MI

6

243

Mean Difference (IV, Random, 95% CI)

‐5.87 [‐7.99, ‐3.75]

1.4.2 State anxiety (STAI) ‐ surgical/procedural

1

67

Mean Difference (IV, Random, 95% CI)

0.40 [‐1.33, 2.13]

1.5 State Anxiety (STAI) ‐ music preference Show forest plot

7

310

Mean Difference (IV, Random, 95% CI)

‐4.58 [‐7.78, ‐1.39]

1.5.1 State Anxiety (STAI) ‐ participant‐preferred

3

167

Mean Difference (IV, Random, 95% CI)

‐4.71 [‐10.76, 1.33]

1.5.2 State Anxiety (STAI) ‐ researcher‐selected

4

143

Mean Difference (IV, Random, 95% CI)

‐4.68 [‐8.27, ‐1.10]

1.6 State Anxiety (STAI) ‐ music preference MI only Show forest plot

6

243

Mean Difference (IV, Random, 95% CI)

‐5.87 [‐7.99, ‐3.75]

1.6.1 State Anxiety (STAI) ‐ participant‐preferred

2

100

Mean Difference (IV, Random, 95% CI)

‐7.36 [‐9.45, ‐5.27]

1.6.2 State Anxiety (STAI) ‐ researcher‐selected

4

143

Mean Difference (IV, Random, 95% CI)

‐4.68 [‐8.27, ‐1.10]

1.7 Anxiety (non‐STAI)‐patient type Show forest plot

7

248

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.93, 0.06]

1.7.1 Anxiety (surgical/procedural)

4

171

Std. Mean Difference (IV, Random, 95% CI)

‐0.63 [‐1.25, ‐0.01]

1.7.2 Anxiety (MI and rehabilitation)

3

77

Std. Mean Difference (IV, Random, 95% CI)

‐0.03 [‐0.61, 0.56]

1.8 Anxiety (non‐STAI) ‐ music preference Show forest plot

7

248

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.93, 0.06]

1.8.1 Anxiety (non‐STAI) ‐ participant‐preferred

4

144

Std. Mean Difference (IV, Random, 95% CI)

‐0.89 [‐1.42, ‐0.36]

1.8.2 Anxiety (non‐STAI) ‐ researcher‐selected

3

104

Std. Mean Difference (IV, Random, 95% CI)

0.11 [‐0.28, 0.49]

1.9 Depression Show forest plot

6

217

Std. Mean Difference (IV, Fixed, 95% CI)

‐0.11 [‐0.38, 0.16]

1.10 Mood Show forest plot

2

97

Std. Mean Difference (IV, Random, 95% CI)

1.08 [‐0.02, 2.17]

1.11 Heart rate‐patient type Show forest plot

13

828

Mean Difference (IV, Random, 95% CI)

‐3.40 [‐6.12, ‐0.69]

1.11.1 heart rate (surg ical/procedural)

7

604

Mean Difference (IV, Random, 95% CI)

‐2.61 [‐5.62, 0.39]

1.11.2 Heart rate (MI)

5

194

Mean Difference (IV, Random, 95% CI)

‐4.75 [‐9.26, ‐0.25]

1.11.3 Heart rate (rehab)

1

30

Mean Difference (IV, Random, 95% CI)

4.50 [‐9.68, 18.68]

1.12 Heart rate ‐ music preference Show forest plot

13

828

Mean Difference (IV, Random, 95% CI)

‐3.62 [‐6.28, ‐0.95]

1.12.1 Heart rate ‐ participant‐selected music

7

430

Mean Difference (IV, Random, 95% CI)

‐4.69 [‐9.40, 0.02]

1.12.2 Heart rate ‐ researcher‐selected music

6

398

Mean Difference (IV, Random, 95% CI)

‐2.67 [‐4.27, ‐1.07]

1.13 Heart rate variability Show forest plot

2

90

Std. Mean Difference (IV, Fixed, 95% CI)

0.07 [‐0.34, 0.48]

1.14 Respiratory rate ‐ music preference Show forest plot

7

442

Mean Difference (IV, Random, 95% CI)

‐2.50 [‐3.61, ‐1.39]

1.14.1 Respiratory Rate ‐ participant‐selected

3

186

Mean Difference (IV, Random, 95% CI)

‐4.42 [‐7.37, ‐1.46]

1.14.2 Respiratory Rate ‐ researcher‐selected

4

256

Mean Difference (IV, Random, 95% CI)

‐1.66 [‐2.20, ‐1.12]

1.15 Systolic blood pressure Show forest plot

11

775

Mean Difference (IV, Fixed, 95% CI)

‐5.52 [‐7.43, ‐3.60]

1.16 Diastolic blood pressure Show forest plot

9

685

Mean Difference (IV, Fixed, 95% CI)

‐1.12 [‐2.57, 0.34]

1.17 Mean A rterial Pressure Show forest plot

3

158

Mean Difference (IV, Fixed, 95% CI)

‐0.91 [‐4.08, 2.26]

1.18 Oxygen Saturation Show forest plot

3

184

Mean Difference (IV, Random, 95% CI)

‐0.02 [‐1.65, 1.61]

1.19 Pain Show forest plot

8

630

Std. Mean Difference (IV, Random, 95% CI)

‐0.43 [‐0.80, ‐0.05]

1.19.1 One music session

5

420

Std. Mean Difference (IV, Random, 95% CI)

‐0.55 [‐1.16, 0.07]

1.19.2 Two or more music sessions

3

210

Std. Mean Difference (IV, Random, 95% CI)

‐0.27 [‐0.55, ‐0.00]

1.20 Length of hospital stay Show forest plot

2

82

Mean Difference (IV, Fixed, 95% CI)

‐0.06 [‐1.03, 0.92]

1.21 Opioid intake Show forest plot

2

90

Std. Mean Difference (IV, Fixed, 95% CI)

‐0.25 [‐0.67, 0.16]

1.22 Quality of sleep Show forest plot

2

122

Std. Mean Difference (IV, Random, 95% CI)

0.91 [0.03, 1.79]

Figures and Tables -
Comparison 1. Music versus standard care